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Category Archives: Thoughts on Writing

First draft. How bad can it be?

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Every professional writer, every editor and every How-to book will tell you that the first draft of your story is garbage. That’s not the words they use but I’m trying to be G-rated here. Being the analytical sort, I’ve asked the question, “If it’s so bad, why do books ever get finished? If the first draft is always toilet water, why on Earth would the writer, editor, or publisher ever get beyond it and find a good story somewhere inside the garbage?” There are an awful lot of books and magazines out there with stories in them. Granted, not all of them are prize-winning quality. However, there are a ton that are much better than they are given credit for. So, somehow, the first draft makes it out of the cellar and onto the bookshelf.

My current project has been in the works for a long time. It’s been on again, off again with two short stories and numerous articles interspersed within the timeline. For the most part the internal editor has been kept at bay. I have gone back and re-read several sections to get back into the story line or to verify a detail or two. I have tried not to be judgmental of my writing or the story at this point. Then one evening last week, I sat down to write. I was feeling a little out of sorts and lacked focus bur I was determined to work through it and get a thousand words out before I turned on the idiot box (television). As I wrote, I kept saying to myself, “This is crap. This is crap. Oh, this is really crap!”

Finally, I hit my goal of a thousand words. I think I may have even finished the sentence before I closed the laptop. Maybe.

“Thank God! It’s all crap, but I got through it.” I set the laptop aside and proceeded to watch some mindless TV.

Two days later a friend asked me how the book was coming and the nightmare returned. “Oh, I’ve written some, but it’s all crap.”

She replied with the kicker, “Yeah, and…?”

“And, what?” I said.

She smiled and calmly replied, “You have always told me that the first draft is garbage, right?”

“Uh…yeah, I suppose so…but you don’t understand, this was really crap!”

She continued to smile but said nothing so I changed the subject.

That night I went back and looked at the “mess”. After reading over twice, it dawned on me that except for a minor change to the laws of physics and relocating my main character’s “dying” body, the scene actually works, for now. Not quite as bad as I had imagined. Hmm…

I thought of my friend and just shook my head.

So, there must be various levels to crap and as long as there is a desire to edit the work until it is no longer crap, there is hope. And eventually a story.

Note to self – Finish the book dummy and quit worrying about the quality. It’s going to be crap until you start editing it. Just write!

 

 

 
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Posted by on February 1, 2016 in Thoughts on Writing

 

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Plot Twists in Short Fiction

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A panel topic at this year’s 4th Street Fantasy convention dealt with using Fake outs, False Fumbles,and Misdirection to spice up standard plot tropes. It was a lively discussion as you might expect. The part of the discussion that interested me the most was the Set-up. Those sentences, paragraphs, and even whole scenes that are used to purposefully send the reader down a dead-end or straight into the surprise plot fake out. The Set-up is the clue(s) the author provides the reader that the plot trope they know and love may get thrown for a loop later in the story. Usually, the clues go unnoticed at first as just lightly related information used as world-building or characterization. The number of Set-ups can vary from story to story but as a rule there should be at least three: one towards the beginning, another somewhere in the middle, and then a last one just before the big surprise ending.

During the panel discussion, a comment was made that this is a little harder to handle in short fiction. The clues would be included in at most a “throw away” sentence or two. Frankly, what shocked me more was that the accomplished short fiction writers in the audience did not jump up and scream at the top of their lungs at this comment. Since when is there “throw away” sentences in a 3,000 word short story?

As I stated previously, the initial clue(s) may go unnoticed. But, can they really in a short work? Can you afford to insert a “throw away” line. just to set up a plot twist later? It seems to me that those “throw away” lines are nearly as important and require at least as much consideration as your opening line. These sentences need to fulfill at least two and maybe three or four purposes. One of which is to give the clue that the reader needs to remember, on some level, so that the surprise ending doesn’t seem contrived. Also, keep in mind that the clue should not be too obvious that it jolts the reader out of the story.

So, I would like to hear from you short fiction writers. How do you handle Set-ups in your short works? Or, do you stick with the tried and true plot tropes?

 

 
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Posted by on August 6, 2015 in Thoughts on Writing

 

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777 Writer’s Challenge

It is hard to ignore a challenge. Especially one laid down by the lovely and talented owner of Sara Kjeldsen Writes. The challenge is pretty simple. Just open your current work in progress, go to the seventh line of the seventh page, and post the next seven sentences. Easy, peasy. Then tag seven other writers and challenge them to do the same. Not so easy.

After I read these seven sentences, i laughed. I was surprised that it took seven pages to get my protagonist into this much hot water. Anyway, He has a habit of biting off more than he can chew. So, here goes.

I stopped in mid-stride and slowly turned to face the most powerful wizard west of the Mississippi. She still stood behind the bar. Her eyes were wide with surprise but, she quickly recovered her composure.  Red sparks flashed from her casting rod. She flicked her hand and I heard the front door locks slam into place. Some of the patrons began to object, preferring to leave before two wizards began dueling. But, it was way too late for that.

Now a few author’s who should have something to offer up:

Kate Johnson

Scott Weber

Matthew Wright – He says he has some new fiction in the works, which I’m dying to read.

Corey MP

AnnMarie Wyncoll

 

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More Ideas than time!

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Lately, it seems that new ideas for stories crash into my head on a daily basis. Each one new and different. Some with characters I know and some completely new. I scribble down the idea and sometimes fragments of scenes or dialog. Then, just when I start to feel comfortable with a new idea. a different one pops into my head. The process begins again. Never do I have time to complete the story. They just keep coming like waves in the ocean. It frightens me that I do not have time to write them all. Even if I was a fast typist, I doubt I could get them all finished. I keep the notes safe for some future date because, what frightens me more is when the ideas stop coming.

 
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Posted by on April 9, 2015 in Thoughts on Writing

 

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Write what you know?

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“Write what you know!”

Almost every ‘How To’ book on writing preaches this advice. For most non-fiction writers, this is sound advice usually is taken straight forward. Whether it is memoir, historical, How-to or any number of other topics, you should write about things that you know something about, are interested in or even want to know more about. It gives the reader a feeling of comfort knowing that the author isn’t just pulling information out of a hat.The author’s ‘expertise’ adds weight to the written words.

However, this advice can be very interesting advice when given to a fantasy fiction writer. Few of us routinely wield a sword or cast a magic spell. Fewer still have actually passed through a portal to find themselves in another realm where dragons, elves, wizards, and goblins walk the land. Most of the individuals that I have met who have taken the aforementioned journey are either sitting quietly in a catatonic state because they have left their material bodies behind. Or, they are unable to write about their journey because the medication they are given makes writing anything except their name difficult. So, how does a modern author use this advice and write about what they know?

Fantasy is created in one’s imagination. So, having a vivid imagination is a standard prerequisite. Those of us whose teachers wrote on our report cards that we spent too much time staring out the windows daydreaming were pretty good candidates. However, to draw a reader into your fantasy story, there has to be some measure of reality. Something familiar. Maybe it’s making a campfire, baking a loaf of bread, riding a horse, dressing a wound, or bartering with a merchant at the local farmer’s market. These types of skills obtained in modern society, can be easily converted to a fantasy story and in doing so, bring a sense of realism to the reader, drawing them into your world. If you are lucky enough to have hobbies like, archery, martial arts, herbalist, camping, astronomy, Chemistry, or being some form of entertainer, you have real expertise in areas that can easily be incorporated into a fantasy setting.  Your knowledge will, if used moderately and with skill, add authenticity to your world,

Another excellent source of knowledge for the fantasy writer is to have been immersed in a culture foreign to their own. Dealing with language, customs, food, clothing, and belief differences gives the writer unique insights and tolls to use when describing their world to the reader. Not only the differences themselves, but the feelings of having to deal with a foreign culture is a form of expertise that can be invaluable to the author.

If you still are not sure that you ‘know’ anything, here is an exercise to help you. Get a pad of paper and a pen, Give yourself 30 minutes to and hour of uninterrupted time. Write down things that you know about. Leave nothing out whether you think they can be related to your story or not. Start with your education. What did your like or do well at in school? What sports or social activities did you participate in? What did you do after school for fun? How did you fill your time during summer vacation? What did you do on the weekends? What do you do to relax, What do you do for fun? List places you have traveled to. What did you do there? What experiences did you have? What was the food like? Music? Dress? How did you feel being the outsider? What do you do for employment? Be specific and list tasks you perform. What are your hobbies? What are your chores around the house? By now you should be getting a very long list of things where you have some level of knowledge. Maybe even expertise. Keep this list handy and refer to it often to remind yourself that you do know something!

A very short list of my interests and knowledge base, that I use regularly when writing, includes: Cats, Native American Spirituality, Archery, knife-making, emergency medicine, herbal remedies, gardening, contingency planning, woodsmanship and fishing. My actual list filled two pages of a legal pad.

Now that you have determined that you do know something, look at the list and think about how you knowledge can be used to help strengthen your story. Maybe you need to add skills to one or more of your characters. Maybe you should add detail to your descriptions of scene.

NOTE: A word of caution! Adding too much detail about mundane tasks is a sure way to lose your reader. Remember that not everyone cares how many coals are required to bake peach cobbler in a cast iron dutch oven. (I seem to recall it was eleven on the bottom and seven on top. it has been a long time.)

Add just enough detail to add realism. If the details are important to your story then you have a little more leeway. Your beta readers or writing group can help you with how much is the right amount.

So, don’t be shy. Write about what you know. You know a great deal!

Let me know what you know. I’d love to hear it.

 
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Posted by on April 6, 2015 in Thoughts on Writing

 

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November Update

004Okay, as promised. An update.

The final battle scene is complete. I am rolling forward toward the climax of the main plot line. At this point the words flow as I feel the end is near. I can’t wait for the main character to figure out what has really been going on. I’ve known for sometime where he was heading, but the journey has been a little surprising to me.

I’m still aiming to type ‘The End’ before December 1, 2014. We shall see. My number one test reader calls me every few days to make sure my fingers continue to hit the keys. I type slowly and sometimes I get frustrated that I can’t snap my fingers and see what’s in my head, on the screen. But…it continues to move forward and that’s the key.

For a change I have not been thinking about the revisions that are to come. I’m not thinking about scenes that need more depth. The focus is on getting what’s in my head loaded to the hard drive of my laptop where it will be safe for a time.

So, progress is being made. The ‘Good’ word count grows.

 
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Posted by on November 12, 2014 in Thoughts on Writing

 

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Writing in November

Nabob and his new  girlfriend!

Nabob and his new girlfriend!

 

 

 

 

 

 

 

 

It’s Halloween. Tonight at midnight, the real crazies will come out. They will be strapped to their computers and notebooks, writing as fast as they can. Motivated by that magical number 50,000, they will band together in small groups in coffee houses and restaurants for support. They have kissed they significant others goodbye, told their friends to call them in 30 days and gone into self-imposed exile from the rest of the world. November is a crazy month for writers. NaNoWriMo!

I sat down to write a few days ago and banged out what I think will be the beginning of the climax to my WIP. When I saved the file, it dawned on me how close I am to the end. Sure, there are a few spots in the story that I need to beef up. But, the light at the end of the tunnel does not appear to be a train racing back at me.

I write slow. That’s who I am. 50,000 words in 30 days is not something I want to even try. I understand my limitations and November is the worst month of the year for me to try it. A friend of mine said it’s not the word count that matters. It’s the count of GOOD words that’s important.

So, what does all this mean? I only need a portion of the magic number to finish my WIP. Even though it’s November, the muse is knocking on the door. Nabob has settled in with his new main squeeze. And, most importantly, I want to see how this thing ends. My intention is to finish my WIP by December 1. I’m not sure what the final word count will be and frankly, I don’t care. To make sure I stay on track with this and get my blog going again I will provide weekly updates. Please feel free to give me a hard time if I drop the ball.

For those of you who will disappear tonight and return in 30 days, good luck to you. I wish you well.

 
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Posted by on October 31, 2014 in Thoughts on Writing

 

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