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Category Archives: Thoughts on Writing

Fantasy tidbits

Today I am guest posting for follow blogger byjhmae. I was surprised when she asked me. But I jumped at the chance. She always has an interesting take on writing and current issues. If you have not already dropped by her blog, do so. You will not be disappointed. And today, you would get the added pleasure of hearing more from me. 😉

As the title suggests I talk about how fantasy and bringing different spiritual cultures together can create conflict. There are also a few other tidbits on fantasy writing and magic systems. Enjoy.

Fantasy – the purest form of fiction

 
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Posted by on September 12, 2013 in Journey into Fantasy

 

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Writing Craft Help

I have a pretty extensive collection of books on the craft of writing. Not exhaustive by any stretch, but I have quite a few. At the recommendation of writer friends, I recently picked up two that I think are noteworthy.

The first one is a short (80 pages), but very useful book on editing, “Dunne with Editing, A Last Look at Your Manuscript” by Nann Dunne. Its focus is primarily on copy editing. The content is broken up into eighteen clear concise chapters that detail one part of the editing process. in addition, the author gives understandable examples showing before and after editing samples.

The book acts like an editing checklist. Chapters include the usual topics like spelling, passive voice and overused words. It also includes topics on participial clauses, dialogue punctuation, attribution tags, and the Burly Detective Syndrome. Am actual checklist is included in the appendices. As is a sampling of overused words and prepositions. the final appendices include short discussions on novel planning and structure as well as story arcs.

If you are looking for a ‘quick and dirty’ copy editing book to remind you of the little things and some big things to look at once you get past that first draft and before you pay for a professional to formally edit your MS, Then I would recommend adding this little gem to your craft library.

The second book is  “Nail Your Novel – Why writers abandon books and how you can draft, fix, and finish with confidence” by Roz Morris.

Image used with Permission

Image used with Permission

If you are a writer who has ever stumbled, fallen down, and/or quit working on a project, You MUST read this book. If you are just starting out and are looking for one book to HELP you get from idea to finished work. You SHOULD read this book before you put 60,000 words on the computer and find you don’t know where to go next.

Plans scare some writers. So, I will use the term method to describe what this book is about. The author lays out a method that takes the writer through a process of writing, rewriting, and polishing a story from start to finish. She begins by providing an index to resources for each topic that she will cover. That way if you are having trouble with scene structure, you can easily find it in the beginning of the book and go right to the section on Card Shuffling. In addition, she includes games, tricks, techniques and rescue remedies to help the writer walk through the method and finish their manuscript.

The author does a great job of summarizing each chapter and reminding the writer what they should be trying to get right during each stage of the novel-writing process and what the inner critic should or should not be doing. Her thumbnail tips throughout the chapters reinforce the method in simple language. The tools she recommends, including storyboard card shuffling and beat sheets, are tried and true and most important, they work.

Another positive is that this is not a three-inch thick tome that will take you a month to work through. At 175 pages, it is concise and just the sort of book you can keep close to your computer to quickly find what you need. If the book is not enough for you. Or, if you are like me and you have follow-up questions, the author’s blog site, ‘Nail Your Novel’ is full of additional advice and tips.

Both of these books now sit on the shelf closest to my writing desk, Both have numerous post-it flags attached at critical chapters. I’m not saying that these are the only books on writing craft you should own. What I am saying is my recommendation would be to add them to your collection. I know they will get lots of use.

 
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Posted by on August 7, 2013 in Thoughts on Writing

 

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Writing Euphoria

Yesterday, I turned off my laptop and sat back in my chair. It took ten minutes before I realized I was grinning from ear to ear. I had only written a few hundred words. But, they were critical to the protagonist’s character arc. Before, the character’s motive seemed thin. They did not draw the reader in. There was no anchor point as to why the character would be acting the way I expected him to act.

Now, there was conflict, both internal and external. The foundation for the subplot was laid and I could easily build on it throughout the rest of the story. Most of the story, to this point, has been written as a series of flash fiction based on an image I had for a particular scene. It has worked great to get scenes written. However, they are not tied together very well and it’s missing depth of plot. I decided that to help with the story moving forward, I needed to go back and plug-in some detail.

Anyway, back to my grin. I was really happy with the way the scene came out as you can plainly see. I realized that this feeling of euphoria was something that I felt every time I finished a writing session. Even those times when writing was a struggle, I would finish the paragraph or sentence and sit back. I couldn’t help but smile.

Maybe it’s the joy of creativity. Maybe the feeling of crashing through a ‘block’. Maybe it’s the joy of using words to make pictures. Or, maybe it’s seeing the story unfolding before my eyes and feeling what the character’s feel. Whatever it is. I love it. It’s a drug that is drawing me into an addiction. When I’m not writing, I am thinking about writing and the story to come. I haven’t reached a point where I put the rest of my life on hold. But, I could see it happening. For now, I will write as often as I can and enjoy the glow that comes after each writing session.

How about you. Do you get a feeling of euphoria after a writing session? Does this feeling disappear after you have published a bunch of books? Lord, I hope not.

 
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Posted by on July 29, 2013 in Thoughts on Writing

 

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Women Protagonists in Fantasy Fiction

I recently listened to a panel of successful female writers and editors, from the fantasy genre, discuss female protagonists. As a male writer, I found it an interesting discussion. Hoping for some insight on how to make my female characters deeper and more real, what actually was discussed was a distinct dissatisfaction across the panel that most female protagonists in the fantasy genre were kickass warriors.

Hmm. Isn’t that feminist’s equality? I asked myself.

Hold on a moment. Before you all start to go off on me as being a sexist, let me continue. Everyone, myself included, was in agreement that a kickass warrior was infinitely better than the pretty pitiful princess that needs rescuing. The question became, “What other journeys are there for a female protagonist in a fantasy story beside Joseph Campbell’s ‘Hero’s Journey’?” Campbell’s journey is by far the most popular and most recognized.

Most fantasy stories have a hero of some sort as the protagonist. It just the way things are in the genre. Maybe because the standard good vs evil convention leads itself in that direction. There has to be someone to vanquish evil or evil will destroy everything.

It made me wonder about other potential character arcs. What other female specific arcs are there? As a matter of fact, I cannot remember hearing of any other character arc being ‘named’, let alone documented. What can I say, I’ve led a sheltered life. Shouldn’t any arc that you can find in literature be used in fantasy?

What other “journeys” are you aware of? Have they been documented in detail somewhere? What have you used? Have kickass female warriors become merely a cliché? Boy, I hope not! It’s hard to beat a story about a woman who goes around kicking ass and taking names.

Your Thoughts?

 
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Posted by on July 23, 2013 in Thoughts on Writing

 

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Who’s driving this crazy thing?

What is this whole process of storytelling? Sometimes we get so caught up in character arcs, plot points storyboarding, outlines vs pantsing, and God knows what else, that we forget what makes up a story and how to tell one. Sure all of the volumes on writing craft will take you down into the weeds of writing and break down every detail of the mechanics involved. However, sometimes it’s all those details that get in the way of telling a good story. I know a few writers who are so worried about the details that they become “Blocked”. We will discuss writers block in another post so I’m not going down that dark hole today.

Let me start by telling you a story:

A group of writers were sitting on a patio, drinking their tea and eating cucumber sandwiches. Being the novice among the group, I asked the question, “What do you need to tell a good story?” They all took another bite of their sandwiches and then sipped their tea. Thoughtfully, One of the more successful of the group announced that, “All you need, to tell a story, is POV and ask the question, ‘What happens next?'” His comment was followed by much head nodding and quiet mumblings of, “Yea, verily, yea.” by the rest of the successful writers present. I took this pearl of wisdom and pondered it for some time. It now seems to me to be sage advice.

Point of View (POV). Who is telling the story? This should be the most interesting person in the story. In my example above, the most interesting person is Me! 🙂 Notice I said most interesting and not most successful. The POV does not need to be from the main character. The two most used POVs are first person and third person. Third person can be further broken down to: close (intimate) view, or omniscient. Whole books have been written on these POVs so I will not go too deep here. The key thing to remember is that the POV dictates how much information can be given the reader and in what form that information will be delivered, narrative, dialogue, actions, etc.

Once you know who is telling the story, the thing that drives the story is the question, “What happens next?” Those of you who routinely write flash fiction should be very experienced with this question. All flash fiction and most writing exercises start with a prompt. For example: “I looked out the window of the airplane and …”. The writer then asks the question what happens next and writes a few sentences. Then, what happens next? Writer, writes a few more sentences and so on until the story ends or you reach so many pages that you have to make it a series. This is how stories are made.

A subset of the question what happens next is the “What if?” The quickest way I have found to get past a block is to ask the question “What if?” and write down the answer, even if it is off the wall and I know it will not make it into the final story. Then again it might! As writers we need to take risks, try new things, experiment. Desperation breeds genius. It is important not to judge the answer until you have given it a good chance to develop.

So, pick the right POV for the story, ask, “What happens next?”, then go tell your story.

What do you think?

 
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Posted by on July 16, 2013 in Thoughts on Writing

 

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And then the trouble starts! A and W Part VII

This is a scene from a story that started as a writing exercise, My Scene. It is a series of flash pieces that are the beginnings of my current WIP.. This scene happens later in the story than the previous posts though it didn’t start that way. It just made sense as I wrote it that it would be more of a turning point.  This will probably be the last installment I post of this story for a variety of reasons. Mostly, I don’t want you to see too much more of it before it starts going into revision.

A quick background: I am Derek Nantan, a North American Marshal in the service of the Pentacle. My territory ranges from the continental divide in the west to roughly Chicago in the east. I was tasked with helping Amy Hatcher, an Oscar-winning actress, by ridding her of a stalker that a local shaman suspects to be a warlock.

The door rolled open a foot on well oiled tracks. Even so, it made more noise than I would have liked. I slipped through the opening and into the darkness beyond. The faint scent of burning chocolate over the smell of horses and manure, told me someone or something was using magic. There was a pale green glow coming from the stables. It provided just enough light so I could pick my way through the vehicles and equipment stored at this end of the barn.  

I passed by the tack room and as I approached the stables, I saw a horse rear up in its stall. However, I didn’t hear any sound at all coming from the stables. I stayed close to the wall on my left side. My stalking walk was all but silent under the worst of conditions so, I was not worried about being heard. The horse continued to buck and crash into the sides of the stall until one of the stable gates opened and a man stepped out into the glow. His shoulders stood above the top of the gate and from that distance he seemed tragically thin. Long dark hair partially covered an angular face as he walked toward me. The grey sweatshirt hung from his shoulders and barely reached the top of his torn jeans. His long strides brought him within a few feet before he stopped and considered me.

“Howdy,” he said with a voice that resembled Lurch from the Adams Family. “Can I help you?”

The air now smelled like I had fallen into a vat of burnt chocolate. The hair on the back of my hands and neck was at full attention. Whoever this was, he was bad news in spades. I smiled and tried to show him I was relaxed when inside, every muscle and tendon was vibrating like a guitar string. I drew power up through the orb in my right hand and prepared a proper welcome if it came to that.

“Hi, I’m looking for Ramone,” I said, not wanting to give him any real names.

“That’s me,” he said as he smiled and took a step toward me.

He began to stretch out his hand towards me when two things struck me. First, his hands were much too large for his frame. And two, his teeth looked like they had been sharpened with a file.

“I don’t think so,” I said as I took a step back. 

His hand flashed up toward my throat. Somehow he had gotten much closer to me than I remember him being. My orb pulsed and my left hand caught his wrist a few inches short of his target. The speed and strength the orb provided was barely enough to keep him away. His eyes flashed red as he glanced down at our interlocked hands. His fingers straightened and instantly grew into foot long talons that tore through my shirt and plunged deep into my shoulder. The orb fell from my hand as all feeling drained from my right hand. I pushed with my left hand which still held his wrist and twisted away. The talons shredded the front of my shirt and tore lines across the flesh or my chest.

He chuckled as I looked down at my ruined shoulder. My orb lay on the floor between us. The talons were gone and he motioned for me to come to him. I took the opportunity and drew my knife. Made from meteor metal and enchanted by the kachinas, it was the other gift my father gave me the day before mother murdered him. With my right arm all but useless, I held the knife in my left hand with the blade forward to give me a little more reach. 

“Come mageling,” he said, looking at the orb. “Was it you who called me?”

“Who are you and why are you here?” I asked, trying to by some time.

He smiled and circled to my right. “I told you. I’m Ramone and someone called to me.”

He moved so fast, I barely had time to bring the knife around. His left hand with talons extended, tore into my right thigh. My knife caught his arm as he went past me and sliced a gash from his wrist to his elbow. Unfortunately, the knife blade caught on a bone and was ripped from my hand. His unnatural roar shook the beams of the barn. He spun and back-handed me across the forehead. The force of his blow snapped my head to the side and stars exploded before my eyes. I felt myself hit the ground. Pain flashed down my arm as I rolled over several times trying to get some distance from my attacker. I looked up through foggy eyes to see walking toward me. He seemed bigger from this angle and talons had replaced both of his hands. He flexed his left arm and dark liquid flowed from the wicked gash my knife had made.

“Time to die, mageling,” He said, as he raised his right hand to strike. 

I squirmed to get my left arm out from underneath me and bring it up in a feeble attempt to block the oncoming blow. My hand came free from beneath me and bumped into my orb. I grabbed it and looked up again expecting the talons to rip my head from my neck. 

When you are in a struggle for your life, time slows down. Maybe it’s adrenaline. Maybe it’s heighten senses. Either way, It is amazing to experience.

The muzzle blast from a large-bore rifle fired in an enclosed space is painful. The sound of the blast hit my ears as the chest of the man standing over me exploded over my head. Before he could react, a second explosion tore away a portion of his right shoulder. The force of the second round spun the man away from me. I looked at the direction of the barn door and saw Ben levering another round into a Winchester lever-action rifle. The taloned man looked down at his wounds and screamed with rage as a third bullet hit his thigh. He turned as if nothing was wrong and charged toward me. Ben’s Winchester roared again but the bullet missed its mark. That was okay because he had given me the time I needed.

My orb pulsed in my hand. The sound from the rifle’s muzzle blast was created by waves of energy moving outward from the gun. I redirected that energy through the orb, condensed it, shaped it into the form of a bighorn ram’s head and sent it into Mr. Talon’s chest just as he was about to eviscerate me. At that range, I could hardly miss. The full force of the spell hit him. All of the air and most of the blood in his lungs exploded out of his mouth and sprayed me with ichor. The force of the spell propelled him up and slammed his back into the steel I-beam that supported the barn’s roof twenty feet above the floor. The ominous crack of vertebrae shattering gave me a moment’s hope as the crumple body dropped back to the floor. 

I rolled to my knees in time to see Ben fire another shot that missed. Looking back at where the body had landed, I was dumbfounded as the man slowly stood up. I heard more cracking, as if bones were grating across each other. I began to gather energy in preparation for another spell. He made it into a crouch and glared at me. He hissed and ran toward Ben and the door out. I sent a burst of energy to create and barrier across the barn to trap him but I misjudged his speed and wall went up behind him as he raced toward Ben. 

I watched in helpless horror as the man barely slowed down as he went past Ben, talon raking across Ben’s neck. Ben was scrambling to reload the Winchester and didn’t see blow that separated his head from his neck. He probably didn’t feel it. His head fell forward and his body slowly toppled to the side. I slumped to my side. My shoulder and leg burned. My head throbbed. I closed my eyes.

If you are interested in reading the previous scenes, check them out at, Actress and the Warlock Part IPart IIPart IIIPart IVPart V, Part VI. .

 
 

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First lines

Some of my favorite first lines follow:

“Once upon a time…” – Everyone has used this one.

“There are many perks to living twenty-one centuries, and foremost among them is bearing witness to the rare birth of genius.” – Hounded by Kevin Hearne

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair.” – Tale of Two Cities by Charles Dickens

“They shoot the white girl first.” – Paradise by Toni Morrison

“The building was on fire, and it wasn’t my fault.”— Blood Rites: A Novel of the Dresden Files by Jim Butcher

“A long time ago, in a galaxy far, far away…” – The open scrawl to the Star Wars movies by George Lucas

“In a hole in the ground there lived a hobbit.” – The Hobbit by J.R.R. Tolkien

Do these first lines draw you in? Do they paint a picture? Each is famous. Each is epic. Does the first line of your story capture the reader? If not, close this post and get back to work.

NO, NO. I’m just kidding. Read the rest of this post, make a comment, and then get back to writing.

The opening line I want to talk about is “Once upon a time…”. We have all heard this since we were too young to understand what it meant. If there every was a line that puts the reader into “Fantasy” mode, “Once upon a time…” is it. Those four words remove the reader to another time. The reader is prepared for something outside the norm. To some extent the word “Once…” is enough to accomplish the same effect.

The problem with those four words, is that they are cliché. They have been used so much, that to some extent, they have lost their effectiveness. Alone, they no longer carry the weight they once did. However, when followed by the right series of words, they still perform magic. For example:

“Once upon a time, there was a woman who discovered she had turned into the wrong person.” – Back When We Were Grown-Ups by Anne Tyler

My response to this first line is “Really? How?”. This is exactly what the author wanted me to say. With fifteen words, I am drawn into the story and my interest is building. Think about the affect the first dozen words of your story have on the reader. Now, think of the reader as a potential agent, editor, or publisher. Does your first line FORCE them to continue reading? If not, stop writing the rest of your story until you have that first line perfect. Great plot, characters, pacing, etc. will be for naught if the reader puts your story down after the first line. It is that important.

Now get back to writing.

 
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Posted by on April 26, 2013 in Thoughts on Writing

 

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