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Cross-Genre Critiques

“I hate this genre!”

Not the first thing you want to hear when receiving a critique.

“But, I loved the story.”

Okay, now I feel a little better. 

I have a great deal of respect for the individual giving the critique so I am willing to hear what she has to say. We all have our likes and dislikes. Variety is the spice of life.

What followed was a very interesting dialogue about genre clichés, knowing who your audience is, and the difficulty of providing a critique outside of your genre. I realized that just because I’m writing for a fantasy-reading audience does not mean everyone that reads my story knows what a couatl is. Or, that a tooled leather jerkin is a piece of clothing. Now I’m not going change these things because the audience I’m targeting will know. However, having a reader from another genre critique your work is very interesting and, in my humble opinion, very beneficial. 

Even though phrases like; “A shock of red hair” or reference to “A dangerous sea crossing with marauding dragonturtles” seem like minor clichés and no one in my fantasy writers’ group commented on them, they drew this reader out of the story. That is not good. I have reviewed the “fantasy clichés” she pointed out and will rewrite the few sentences involved. They seem like minor changes but as I am reminded, the devil is in the details. I think I will add a few more non-fantasy readers to my list of betas.

The other realization I came to, is that it can be difficult giving a good critique on a piece that is written in a genre I am not familiar with. I find the need to concentrate more on specific elements and reread some sections to ensure I’m not missing something. It is becoming easier but it has been a challenge. Overall, I think it has helped my self-editing.

The bottom line here is this, even though you need to be acutely aware of who your target audience is, don’t hesitate to cross genres and sit on either side of the critique table. Whether you choose to take the critique to heart or not is still your choice.

Any thoughts?

 
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Posted by on March 29, 2012 in Other Strangeness

 

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Character Tags

The last week or so has been busy to say the least. Sunny southern California looses something when the only time you are outside is to drive from the hotel to the office and back with just enough time to grab a quick dinner and collapse into unconsciousness. The upside of the business trip was the seven and a half hours of plane travel.

Yes, if you follow this blog and you were at the Lindberg Terminal, you know that I was the strange man watching you and taking notes on the way you dress and your behavior. There are some real interesting people out there. 🙂  Now back to the flights.

Having spent two hours collecting “data”, the task before me was to create two in-depth characters. Core personality types soon were expanded to include: family histories, tragic situations, love languages, physical looks, costumes, education, etc. All told there is twenty to thirty pages of notes for each character. This page count will go up dramatically as the writing unfolds. However, it is a good start.

Somewhere over Nebraska, at 36,000 feet, it struck me. From all of this material, what six or seven words or phrases would I use as tags for the characters.  Those descriptive words that help the reader identify who the players are. How do we as writers decide what, of the volumes of physical description, psychological detail, back story, and personal background will we use to create a vivid image in the reader’s mind? Tags are the physical descriptors. I will discuss Traits in a later post.

Physically descriptive tags can create a cliche’. For example: a witch with a wart on her nose, a pointed hat, a broomstick, poison apple, and a black cat familiar. How many stories have you read where the villan has beady eyes and wears black clothes? Or, how about the villan’s bodyguard is a hulking brut with the IQ of a slug and hands like meat cleavers? What turns my stomach is the hero with blond hair, blue eyes, strong chin, six-pack abs.

However, tags can also give the character…well…character. Doesn’t the villan become more disturbing when he looks like the boy next door, wears designer clothes, and is a great cook to boot? The fact that dinner consists of the census taker’s liver and farver beans just adds more flavor to the story. 🙂 Why can’t the hero have a wicked scar across her face, a crippled leg and dress in thrift store cast offs?. The hero in one detective show I watched as a child was short, always wore a rumpled trench coat, smoked a cigar, and came across as extremely forgetful. Yet, he always figured out who the murderer was and usually got a confession.

Try to stay away from the cliché’s unless you have a very good reason. To me, cliché’s are boring. I have the attention span of a gnat when I read. If I get bored during the entrance of the main characters, the chances of my finishing the book are slim at best,  

So, use the volumes of character details you have worked so hard on and pick out the most unusual descriptors you have. If you don’t have anything that is unique, go back to the airport and sit there until you do. It should take you all of about two minutes.

Now that you have six or seven interesting  tags, use them. Not just the first time you introduce the character, but often throughout your story. I am not saying to use all six every time the character shows up. but, one or two inserted within the action, help your reader create a picture in their head. When you are finished reading this post, go pick up a book where you really liked the characters and find where the main character is introduced. Look for the tags the author uses. Then flip back a chapter or two and see what tags the author is using. Are they the same tags? Go back a few more chapters and see if the tags are still being used. I will bet you a magic acorn that the author is using the same tags throughout the story. The repetition reinforces the character’s image.

Take a look at your current project and see if adding a few tags will help bring color to your story. Let me know if it works for you.

In an upcoming post, I’ll talk about traits which are the psychological and action descriptors that really bring your character to life.

 
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Posted by on March 8, 2012 in Other Strangeness

 

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Islands vs. Outlines

I make lists. Lists for groceries, lists for travel, lists of honey-dos, lists of camping gear, lists of plants, lists of writing topics, lists of characters, lists of places (both real and imagined), and lists of lists. The CEO of my domicile has informed me repeatedly that I have too many notepads, file drawers, and binders filled with lists. Add to that several years as a corporate trainer and it should be easy to see why using an outline to develop a novel would be a logical choice for me. Honestly, that was how it started. I sat down and created an outline of chapters for my first novel. When I finished, I was so proud of it. I thought, “Wow this is going to be so easy.”

Starting at page one I proceeded methodically thinking that the best approach. A few months later, reality set in. Four chapters in and I had no idea where I was going. Somehow I had gotten off track and was at a dead end. The characters had not done what I originally thought they would. (Imagine that!) I saw no way to get them back to the outline. I lost interest and ended up setting the whole project aside. The process repeated itself several times. Each time, I could see scenes I wanted to include in the story but never wrote them because the characters left the outline behind.

As it happened, I picked up a book on screenwriting by  Blake Snyder entitled, “Save The Cat!”. In it, he talked about something called “story boards”. A few weeks later I took a class from Mary Carroll Moore called “Your Book Starts Here.” Two days of the class were devoted to developing a story structure using story boards and something she called “islands”. The lightbulb came on!

Okay, some of you are rolling your eyes. But for me, this was new toy I had never seen before. The great part is, I can create a list! I can create my list of (islands) that are scattered throughout my head. I then scribble them on post-it notes and place them on my story board.  Once I determine what my most critical scenes are, the rest of the islands fill in the blank spaces of the story board. With the initial story board in place, I go back and write the scenes in any order I chose. If I find that a scene needs to go someplace else in the story, I move it. The transitions between scenes can be a little tricky but that can be cleaned up later.

The freedom of not having to stick to the outline has let me focus on getting words on paper (hard drive). I no longer worry about how it will all fit together in the end. Yes, I have over simplified the process. Yes, I will end up writing scenes that may never be used in the final story. BUT, I am writing more! I also feel that my writing has improved.

So, I would like to hear from you. Do you write from an outline or from scattered islands? Perhaps you do both as each has a place in our writers toolkit.

 
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Posted by on February 20, 2012 in Other Strangeness

 

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The Keep – Flash #2

Here is another Flash. The prompt for this flash was a first line provided by another member of my writer’s group. The prompt was: “The cat tensed and then leapt…”

The hunting cat tensed and then leapt for Yursi’s throat. Yursi dodged but the agility of the cat allowed one paw to swat Yursi on the back as it flew past. The additional momentum threw Yursi to the ground. Before she could come to her knees, the cat was on her.

One paw on her chest and one on her right arm effective pinned Yursi underneath the one hundred and fifty pound animal. The cat bared its fangs and hissed as only a cat can. Its fetid breath made Yursi gag which spoiled the spell that was on her lips. Yursi struggled to force the cat off but it was too strong. The cat’s gapping jaws reached toward Yursi’s face. Yursi closed her eyes as she could not imagine this would be her death.

The rough tongue started at Yursi’s chin and, in one long lick, covered her face with cat drool. Yursi opened her eyes. The cat still pinned her in place but it seemed to be smiling.

     “That’s enough.”

     The voice sounded frail yet the cat obediently moved off Yursi and walked a few strides away. It then sat down and began grooming itself.

     Yursi rolled to her feet and looked around for the source of the voice. Leaning against the trunk of a large oak tree was an old man about Yursi’s height. Thin grey hair covered his head and his angular jaw had grey stubble.  A curved pipe was clamped between his lips and a column of blue-grey smoke curled lazily up into the tree branches above.

 
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Posted by on February 15, 2012 in Short Stories

 

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The Keep – teaser

It’s about time I put something I wrote on this site. This is a flash using the main character from my short story. This may turn into the opening scene of another short story. We’ll have to see how it goes.

The two blades came together, one brilliant white, the other dull black. The instant they touched a ray of blue-white flame erupted from the union of steel and streaked toward the undead creature. The ray slammed into the creature’s chest with enough force to drive it back two steps. Ancient wrappings burst into flame. A slender woman watched the mummy thrash about as the conflagration engulfed it. The mummy collapsed and quickly turned to ash.

  Yursi Sonal brushed a stray black curl out of her dark eyes taking care not to cut off her nose with the white dagger. She looked back to the two other mummified bodies sprawled on the ground. A few moments before they had tried to kill her, now, neither one moved. Her breathing began to return to normal as she realized there were no more targets for her spells. As the excitement of battle wore off, her shoulders slumped.

  “You ignorant slug,” Yursi hissed to herself. “Why would you choose a cemetery as a good place to rest after dark?” I must be tired. I should be dead.

  Yursi continued to look about as she slid the two daggers into their sheaths. The waxing moon peaked above the horizon and was not quite covered by the incoming clouds, so Yursi could still tell what direction she needed to travel.

  “I guess I’ll sleep when I get to the keep.”

  Yursi shrugged into her rucksack, threw on her wool cloak, and put the cemetery behind her. She did not notice the pair of yellow eyes watching her from the treeline.

 
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Posted by on February 13, 2012 in Short Stories

 

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Heros and Villains

Which is harder to create and make real, your hero or your villain? Almost everyone I speak with says that villains are much more fun to write. “You can do anything and get away with it.”  “Let you mean side take over.” You can be despicable and no one gets hurt.” Well, I must be the odd ball. One of my greatest struggles is writing a believable villain. Now, I know that my antagonist must be at least as bad as my protagonist is good.  But, for some reason my bad guys keep coming off as cliché’s. The truth is that getting into the head of a psychopath is just plain scary. I’m not an evil person. I like to think that I’m a pretty nice guy. How in the world can I know what’s going on inside the head of a maniac? To borrow someone else’s quote, “Mean people suck.”

The good news is that over the past couple of months there has been a slight breakthrough. While doing some freewriting, I came upon the Keys that unlocked my antagonists. In one case it was a conversation with his mother-in-law regarding money and the fact that he can’t support her daughter the way he should. In the other case, it was growing up seeing the cleaning crews remove dead bodies of street people from the gutters of the slum each morning and finding out those bodies were taking to a man who was using them for interesting experiments. In each case there was a defining moment caused the individual to begin acting in an “evil” way. NOTE: For the record, I believe that evil is relative and is based on an individuals frame of reference. 

The Key is, what was the set of circumstances that set the antagonist on the path they walk? All of us, no matter how good and pacific we may think we are, if given the right set of circumstances, are capable of horrendous acts. This is the truth. If you do not believe me, watch the evening news or ask anyone who has been in a combat zone, worked in law enforcement, or emergency medicine. So, what is it that can make a nice, sane person turn “evil”? That is the question that I have been asking my characters. I ask them to remember their defining moment and then free write until I have enough material to explain their actions.

So, my friends, I have two questions for you: Do you prefer to write about your hero or your villain? How do you get inside your villain’s head?

 
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Posted by on February 6, 2012 in Other Strangeness

 

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Next Steps…Online?

<p><span style=”font-family:Arial;”>I related in a previous post that my first short story is in polishing.My primary writer’s group has had two whacks at it and my trusted group of test readers have added their twenty-five cents. The story is where I think it may be ready to start looking for a publishing avenue. Revisions have gone well and feedback, from those I know, is positive. I will be adding a Work In Progress page soon but in the mean time I have been wondering if an additional test sample of readers is in order.</span></p>
<p><strong>I am wondering. What are your views regarding the viability of online workshops/critique groups? If you participate in them and what has been your experience?</strong> </p>
<p>I truly will appreciate all of your thoughts.</p>

 
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Posted by on January 30, 2012 in Other Strangeness

 

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