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Tag Archives: Outline

Who’s driving this crazy thing?

What is this whole process of storytelling? Sometimes we get so caught up in character arcs, plot points storyboarding, outlines vs pantsing, and God knows what else, that we forget what makes up a story and how to tell one. Sure all of the volumes on writing craft will take you down into the weeds of writing and break down every detail of the mechanics involved. However, sometimes it’s all those details that get in the way of telling a good story. I know a few writers who are so worried about the details that they become “Blocked”. We will discuss writers block in another post so I’m not going down that dark hole today.

Let me start by telling you a story:

A group of writers were sitting on a patio, drinking their tea and eating cucumber sandwiches. Being the novice among the group, I asked the question, “What do you need to tell a good story?” They all took another bite of their sandwiches and then sipped their tea. Thoughtfully, One of the more successful of the group announced that, “All you need, to tell a story, is POV and ask the question, ‘What happens next?'” His comment was followed by much head nodding and quiet mumblings of, “Yea, verily, yea.” by the rest of the successful writers present. I took this pearl of wisdom and pondered it for some time. It now seems to me to be sage advice.

Point of View (POV). Who is telling the story? This should be the most interesting person in the story. In my example above, the most interesting person is Me! 🙂 Notice I said most interesting and not most successful. The POV does not need to be from the main character. The two most used POVs are first person and third person. Third person can be further broken down to: close (intimate) view, or omniscient. Whole books have been written on these POVs so I will not go too deep here. The key thing to remember is that the POV dictates how much information can be given the reader and in what form that information will be delivered, narrative, dialogue, actions, etc.

Once you know who is telling the story, the thing that drives the story is the question, “What happens next?” Those of you who routinely write flash fiction should be very experienced with this question. All flash fiction and most writing exercises start with a prompt. For example: “I looked out the window of the airplane and …”. The writer then asks the question what happens next and writes a few sentences. Then, what happens next? Writer, writes a few more sentences and so on until the story ends or you reach so many pages that you have to make it a series. This is how stories are made.

A subset of the question what happens next is the “What if?” The quickest way I have found to get past a block is to ask the question “What if?” and write down the answer, even if it is off the wall and I know it will not make it into the final story. Then again it might! As writers we need to take risks, try new things, experiment. Desperation breeds genius. It is important not to judge the answer until you have given it a good chance to develop.

So, pick the right POV for the story, ask, “What happens next?”, then go tell your story.

What do you think?

 
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Posted by on July 16, 2013 in Thoughts on Writing

 

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500 a Day (FAD Challenge) in Review

On December 1st, 2012, I started a mini writing challenge proposed by fellow blogger, Shannon M Howell. The challenge was to write 500 words a day for 62 days, (Dec. and Jan.). On one hand that’s a lot fewer words than the 1,667 a day required during NaNo. However, it lasts for twice as long. I thought the number was something I could hit. Also, different types of writing were acceptable, blog posts, magazine articles, Christmas letters, etc. However, the main focus should be on the current WIP.

First the bad news. I missed my goal of 31,000 words. 😩  The reasons, Work, holidays, flu, sound like excuses so I won’t bore you with them.

Now for the good news. Over the past 62 days, I have averaged nearly 350 words a day, added 12,000 words to my WIP novel, and have a good start on a new project. I knew that I don’t write fast. That’s why I never tried NaNo. However, I found out that when my mind and the keyboard do get in sync, I tend to average 500 – 800 words at one sitting. Apparently my mind thinks in blocks of this length. If I then take a break, I can come back a little later (time permitting) and turn out another 500 – 800 words.

The numbers listed above are all well and good. However the best part of this challenge is what I learned about myself as a writer. I found that lunch hours and quiet Saturday mornings at the cabin are my most productive times to write. I am more creative when I am pantsing a scene versus writing from an outline. However, I produce more words from an outline. Either way, I usually write the bare bones of the story during the first pass. Revision is where the five senses are added to description and the plot tension is enhanced.

Having more than one project to work on is good for me in the long run as I get inspired from one story and it carries over to the other one. Also, an epiphany hit me when I realized that evil characters are actually fun to write. Believe it or not, this was new territory for me. It’s about time. Now I can really get going on the middle section of my WIP. “Run thief, run.” Mwaahaahaa!

Most importantly, the experience created some writing habits that I can carry forward. My blog posts have become more regular, for one. Writing every day is not as important as writing on those days when I have determined that I should. However, I do try to write something, even if it’s only 100 words, every day. I’m still working out the best time for me on weekends when I’m not at the cabin. She who must be obeyed stated that if necessary she would start sending me to my room. 😉 You’ve seen my room. That just might be the winning ticket.

All in all this was a good experience. Those who tackle NaNo have my respect, but I will not be joining you in November. I could be talked into the FAD challenge again. Shannon, are you with me? Maybe we can drag some others along for the ride.

Armed with the knowledge gained during this little exercise, I made some realistic goals for 2013. Confidence is high that this year will be a good writing year for me.

 
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Posted by on February 1, 2013 in Musings and Odd Thoughts

 

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The Story Question

As you may have surmised from my last post Pick a Story and Write, I have been battling with my Muse about my novel. In an effort to get back on track I went back to the beginning. No, not the opening scene, the real beginning. I opened up my writer’s notebook and re-read my story question. Story question? Yes, story question. What is this story about? Who is involved? What is the major plotline? What is the major conflict that needs to be overcome? Sometimes it’s called your elevator sales pitch. You know, you step into an elevator at a convention and standing there is the editor-in-chief of the publishing house of your dreams. It’s just the two of you and you decide to pitch your idea for a story. You have 12 floors to sell it. If it works you end up with a mutli-book contract. If you fail, your only route is self publishing. What do you say? If you have created the story question, you have half a chance. The story question is the 30,000 foot level view of your story. You shouldn’t give the details away. But you need enough the capture the person’s attention.

Since I’m not quite ready to pitch my story to the editor of my dreams, I use the story question to help keep me focused on where I wanted to go in the first place. When I review my story question, I ask myself, is the story I’m writing and the story question on the same track? Am I keeping with the flavor of the initial idea? Is the new direction better than what I originally intended? Do I need to modify the question or the story?

I strongly suggest that if you have not already done, take some time and craft a story question for your current project. Or, if you have a project that died too soon, try to craft a question for that story and see where you may have gone wrong with it.

My question has changed slightly since I first crafted it. However, the main points are still the same. Everytime I read it, I get a feeling of excitement that helps me press onward. I can see the individual scenes that need to take place to answer the question.

Here is my story question for “Smoke and Goblet”:

When a master thief tries to fence a stolen item, he finds out that it is not just another bauble but also, a phylactery that contains the source of all fear. The situation deteriorates when he finds out that the previous owner stole the item from a necromancer with an insatiable appetite for creating new thralls. With the necromancer, the previous owner, and even his own fence wanting him dead, can the thief find a way to dispose of the object without becoming dead, or worse and still make a profit?

I would love to read some of your story questions. Sell me on your idea. I have a twelve floor elevator ride to listen to you. 🙂

 
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Posted by on July 16, 2012 in Other Strangeness

 

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Islands vs. Outlines

I make lists. Lists for groceries, lists for travel, lists of honey-dos, lists of camping gear, lists of plants, lists of writing topics, lists of characters, lists of places (both real and imagined), and lists of lists. The CEO of my domicile has informed me repeatedly that I have too many notepads, file drawers, and binders filled with lists. Add to that several years as a corporate trainer and it should be easy to see why using an outline to develop a novel would be a logical choice for me. Honestly, that was how it started. I sat down and created an outline of chapters for my first novel. When I finished, I was so proud of it. I thought, “Wow this is going to be so easy.”

Starting at page one I proceeded methodically thinking that the best approach. A few months later, reality set in. Four chapters in and I had no idea where I was going. Somehow I had gotten off track and was at a dead end. The characters had not done what I originally thought they would. (Imagine that!) I saw no way to get them back to the outline. I lost interest and ended up setting the whole project aside. The process repeated itself several times. Each time, I could see scenes I wanted to include in the story but never wrote them because the characters left the outline behind.

As it happened, I picked up a book on screenwriting by  Blake Snyder entitled, “Save The Cat!”. In it, he talked about something called “story boards”. A few weeks later I took a class from Mary Carroll Moore called “Your Book Starts Here.” Two days of the class were devoted to developing a story structure using story boards and something she called “islands”. The lightbulb came on!

Okay, some of you are rolling your eyes. But for me, this was new toy I had never seen before. The great part is, I can create a list! I can create my list of (islands) that are scattered throughout my head. I then scribble them on post-it notes and place them on my story board.  Once I determine what my most critical scenes are, the rest of the islands fill in the blank spaces of the story board. With the initial story board in place, I go back and write the scenes in any order I chose. If I find that a scene needs to go someplace else in the story, I move it. The transitions between scenes can be a little tricky but that can be cleaned up later.

The freedom of not having to stick to the outline has let me focus on getting words on paper (hard drive). I no longer worry about how it will all fit together in the end. Yes, I have over simplified the process. Yes, I will end up writing scenes that may never be used in the final story. BUT, I am writing more! I also feel that my writing has improved.

So, I would like to hear from you. Do you write from an outline or from scattered islands? Perhaps you do both as each has a place in our writers toolkit.

 
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Posted by on February 20, 2012 in Other Strangeness

 

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