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Tag Archives: Plots

Women Protagonists in Fantasy Fiction

I recently listened to a panel of successful female writers and editors, from the fantasy genre, discuss female protagonists. As a male writer, I found it an interesting discussion. Hoping for some insight on how to make my female characters deeper and more real, what actually was discussed was a distinct dissatisfaction across the panel that most female protagonists in the fantasy genre were kickass warriors.

Hmm. Isn’t that feminist’s equality? I asked myself.

Hold on a moment. Before you all start to go off on me as being a sexist, let me continue. Everyone, myself included, was in agreement that a kickass warrior was infinitely better than the pretty pitiful princess that needs rescuing. The question became, “What other journeys are there for a female protagonist in a fantasy story beside Joseph Campbell’s ‘Hero’s Journey’?” Campbell’s journey is by far the most popular and most recognized.

Most fantasy stories have a hero of some sort as the protagonist. It just the way things are in the genre. Maybe because the standard good vs evil convention leads itself in that direction. There has to be someone to vanquish evil or evil will destroy everything.

It made me wonder about other potential character arcs. What other female specific arcs are there? As a matter of fact, I cannot remember hearing of any other character arc being ‘named’, let alone documented. What can I say, I’ve led a sheltered life. Shouldn’t any arc that you can find in literature be used in fantasy?

What other “journeys” are you aware of? Have they been documented in detail somewhere? What have you used? Have kickass female warriors become merely a cliché? Boy, I hope not! It’s hard to beat a story about a woman who goes around kicking ass and taking names.

Your Thoughts?

 
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Posted by on July 23, 2013 in Thoughts on Writing

 

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Who’s driving this crazy thing?

What is this whole process of storytelling? Sometimes we get so caught up in character arcs, plot points storyboarding, outlines vs pantsing, and God knows what else, that we forget what makes up a story and how to tell one. Sure all of the volumes on writing craft will take you down into the weeds of writing and break down every detail of the mechanics involved. However, sometimes it’s all those details that get in the way of telling a good story. I know a few writers who are so worried about the details that they become “Blocked”. We will discuss writers block in another post so I’m not going down that dark hole today.

Let me start by telling you a story:

A group of writers were sitting on a patio, drinking their tea and eating cucumber sandwiches. Being the novice among the group, I asked the question, “What do you need to tell a good story?” They all took another bite of their sandwiches and then sipped their tea. Thoughtfully, One of the more successful of the group announced that, “All you need, to tell a story, is POV and ask the question, ‘What happens next?'” His comment was followed by much head nodding and quiet mumblings of, “Yea, verily, yea.” by the rest of the successful writers present. I took this pearl of wisdom and pondered it for some time. It now seems to me to be sage advice.

Point of View (POV). Who is telling the story? This should be the most interesting person in the story. In my example above, the most interesting person is Me! 🙂 Notice I said most interesting and not most successful. The POV does not need to be from the main character. The two most used POVs are first person and third person. Third person can be further broken down to: close (intimate) view, or omniscient. Whole books have been written on these POVs so I will not go too deep here. The key thing to remember is that the POV dictates how much information can be given the reader and in what form that information will be delivered, narrative, dialogue, actions, etc.

Once you know who is telling the story, the thing that drives the story is the question, “What happens next?” Those of you who routinely write flash fiction should be very experienced with this question. All flash fiction and most writing exercises start with a prompt. For example: “I looked out the window of the airplane and …”. The writer then asks the question what happens next and writes a few sentences. Then, what happens next? Writer, writes a few more sentences and so on until the story ends or you reach so many pages that you have to make it a series. This is how stories are made.

A subset of the question what happens next is the “What if?” The quickest way I have found to get past a block is to ask the question “What if?” and write down the answer, even if it is off the wall and I know it will not make it into the final story. Then again it might! As writers we need to take risks, try new things, experiment. Desperation breeds genius. It is important not to judge the answer until you have given it a good chance to develop.

So, pick the right POV for the story, ask, “What happens next?”, then go tell your story.

What do you think?

 
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Posted by on July 16, 2013 in Thoughts on Writing

 

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Whew! Good News, Bad News

The good news is I’ve been writing. The bad news is it has not been on my blog.

The good news is I have been able to read some of your posts and comment a little. The bad news is only time for a few comments.

So, on the positive side, I was able to submit another article to Stick and String Traditional Archery magazine. it went in just under the next editions deadline. I believe it will hit the stands in late June. It is a How-to article with lots of pics. I’ll post it in my Traditional Archery category after it is released.

Another positive is, I have been working on the Actress and the Warlock. Some of it will not get posted to the blog because I want to keep a little of the story to myself until I get ready to publish it. However, another scene should make an appearance next week. I think it’s time to start beating up the characters. They have had it too good for too long. 😉 I’ve also had a couple of ideas for plot twists that I want to work in. What if the paparazzi take pictures of something they can’t recognize, I mean besides a sober Lindsey Lohan. Oops. Sorry for the cheap shot LL. Also, the chance to kill off an arrogant publicist might be fun too. We’ll have to wait and see what develops. It is, after all a cliché.

Continuing with the positives, my Twitter experience has improved and seems to be making more sense. I will continue to try to tweet more.

Now for the Bad News. I PROMISE to get a viable post on this blog site within the next five days! There, I have a deadline. We’ll see if that works.

 

 
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Posted by on May 31, 2013 in Musings and Odd Thoughts

 

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What’s in Character – Now What!

Okay. We have finished your character’s creation. during the preceding What’s in Character blog posts. You’ve been following this blog and building a character along the way. I can here you now. “Great Dennis. I have twenty-two pages of information on each of my characters. My character notebook is a novel unto itself. I know more about them than I do about my own family. What do I do with all of it?” My standard response to all questions is, “That depends.”

1)  If you don’t have a plot in mind for your story, dive into your character’s lives and find something that would come into great conflict with your protagonist. Hopefully, you can also find something about you protagonist that would pose a great conflict for your antagonist. Ta Da, you have an initial plot conflict.

2)  What if you have a plot in mind? Look for new potential character arcs. Ways in which your characters can change based on the plot line. Trust me that the information you have generated during the previous posts is full of potential.

3)  I have a plot. I have character arcs. I have all the conflicts the reader could hope to want in a story. What else can I use this tome for?  COLOR! The whole point of this exercise was to create characters that are real to the reader. Use this material to add realism. Have you character twirl her hair while she talks to the police detective. The officer doesn’t know this is a tell that she is lying bu,t you can let the reader know it is with a few well-chosen words of description embedded in the dialogue. Add bits and sprinkles of your character’s likes and dislikes or tags and traits into dialogue to break it up and make it grab the reader. After a critical scene, your character may need to reflect on the situation. Have them grab their favorite drink, find their favorite comfortable spot and reflect away. The added details can be found in you Tome of Characters. Have fun with it but, don’t over do it. The information about your character that you relate to thee reader should be there for a reason.

It was my intention to give you details as to how my “Yursi” character was created. However, my character file is at 23 pages and growing. that’s too much for this blog. You will just have to read my short story,  Good Night’s Sleep, and the novel to follow to find out more about the raven-haired witch with twin magical daggers that is searching for a lost relative and her own identity while being hunted down by her own family. 🙂 That project is slated for 2014.

Let me know how your characters turn out. 

 
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Posted by on April 10, 2013 in What's in Character

 

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500 a Day (FAD Challenge) in Review

On December 1st, 2012, I started a mini writing challenge proposed by fellow blogger, Shannon M Howell. The challenge was to write 500 words a day for 62 days, (Dec. and Jan.). On one hand that’s a lot fewer words than the 1,667 a day required during NaNo. However, it lasts for twice as long. I thought the number was something I could hit. Also, different types of writing were acceptable, blog posts, magazine articles, Christmas letters, etc. However, the main focus should be on the current WIP.

First the bad news. I missed my goal of 31,000 words. 😦  The reasons, Work, holidays, flu, sound like excuses so I won’t bore you with them.

Now for the good news. Over the past 62 days, I have averaged nearly 350 words a day, added 12,000 words to my WIP novel, and have a good start on a new project. I knew that I don’t write fast. That’s why I never tried NaNo. However, I found out that when my mind and the keyboard do get in sync, I tend to average 500 – 800 words at one sitting. Apparently my mind thinks in blocks of this length. If I then take a break, I can come back a little later (time permitting) and turn out another 500 – 800 words.

The numbers listed above are all well and good. However the best part of this challenge is what I learned about myself as a writer. I found that lunch hours and quiet Saturday mornings at the cabin are my most productive times to write. I am more creative when I am pantsing a scene versus writing from an outline. However, I produce more words from an outline. Either way, I usually write the bare bones of the story during the first pass. Revision is where the five senses are added to description and the plot tension is enhanced.

Having more than one project to work on is good for me in the long run as I get inspired from one story and it carries over to the other one. Also, an epiphany hit me when I realized that evil characters are actually fun to write. Believe it or not, this was new territory for me. It’s about time. Now I can really get going on the middle section of my WIP. “Run thief, run.” Mwaahaahaa!

Most importantly, the experience created some writing habits that I can carry forward. My blog posts have become more regular, for one. Writing every day is not as important as writing on those days when I have determined that I should. However, I do try to write something, even if it’s only 100 words, every day. I’m still working out the best time for me on weekends when I’m not at the cabin. She who must be obeyed stated that if necessary she would start sending me to my room. 😉 You’ve seen my room. That just might be the winning ticket.

All in all this was a good experience. Those who tackle NaNo have my respect, but I will not be joining you in November. I could be talked into the FAD challenge again. Shannon, are you with me? Maybe we can drag some others along for the ride.

Armed with the knowledge gained during this little exercise, I made some realistic goals for 2013. Confidence is high that this year will be a good writing year for me.

 
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Posted by on February 1, 2013 in Musings and Odd Thoughts

 

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Storytelling Through the Written Word

share-your-story

We all think we have a story to tell. If not, why would we want to become writers? As writers, telling stories is what we do, isn’t it? Let’s find out.

The website, Storytellingday.net, defines storytelling as: “An art form of conveying a series of events in words, images, and sounds, which are often supported by creative thinking or an exaggeration.” The National Storytelling Network (Untied States and Canada) website defines it as: “The interactive art of using words and actions to reveal the elements and images of a story while encouraging the listener’s imagination.” Keeping in mind that these organizations refer to the oral tradition of storytelling and we are discussing written storytelling, I’m going to take a liberty and use readers where they use listeners.

Storytelling is, in fact, an oral tradition that goes back as far time itself. Some have postulated that the first stories were told to explain a failure. Hmm… “..supported by creative thinking or an exaggeration.” maybe that’s were fishing tall tales got their start. Sounds like fiction to me. We will come back to this later.

I remember as a boy sitting around the campfire listening to my elders tell stories about hunting, fishing, working on the railroad, or humorous war stories. I sat enthralled for hours. To this day I love to hear a good story told well. One of my favorite movies, “Out of Africa”, has a character that is a great storyteller. She is given the names of a couple of characters by her audience and she then creates a story off the top of her head that may go on for hours.

For the purpose of this post, I will define storytelling as: “Using written words that encourage the reader to use their active imagination, to create a sensory-laden story where the reader is fully engaged.” Now let’s see if can explain myself over the next few paragraphs.

The easy part is the first part. As writers, we use written words. On occasion, we can use cover art or illustrations to help convey story. However, words are our world. There are a lot of words at our disposal. Some are better than others. This is where the writer’s craft comes into play. The writer needs to select the best combination of words to help the reader create a real world. Choosing the right words is the art of writing. There are libraries full of how-to books on writing. Nearly all of them have good advice. But, ultimately, it is up to the writer to choose what works best for the story in question.

We have little control over the quality of the reader’s imagination. Each person is different. Some people can take a few words from a writer and create a whole fantastic world. Those reader need very little setting detail get into the story. Others can’t imagine anything that is not actually resting in their hands. All of the flowery descriptive prose in the world is needed to help them “see” what the writer sees. A writer must know their audience so as to chose the best words to fire what imagination the reader has.

If we want to reader to hear sounds, smell odors, feel textures, taste flavors, we must use words to help the reader build those things. Storytellers using the written word must choose their words carefully to help the reader create the real story in their head. Writers, just like in the oral tradition, must incorporate each of the reader’s five senses. The writer must see, hear, feel, taste, and smell the world they are trying to put to paper. The more vividly we write, the easier it is for our audience to be completely absorbed into the story. One of the keys to good writing, in my humble opinion, is to add the sensory details to the story without spending a page and a half explaining what a sunrise looks like. A few words scattered here and there within the action of the scene seems smoother and more interesting to read than an info dump.

Isn’t what what we’re after, as storytellers, is for the reader to be completely absorbed in the story? Have you ever read a book and become so engrossed in it that you find yourself laughing out loud? Or, you feel the character’s frustration and cry out in anguish? Or, feel the pain of the character’s loss and begin to cry? When that happens, the writing storyteller has accomplished the task at hand.

That brings us to the question of “…use of creative thinking or exaggeration.” On the surface this would push the storyteller toward the realm of fiction. However, non-fiction writers, do not despair! Even textbooks can be written in such a way as to draw the reader into the subject matter and still be truthful. The use of real-life experiences, anecdotes, and examples can help to make even the driest material palatable  Exaggerations can also be used to help prove a point. I have not seen a lot of this technique used in pure non-fiction. However, I’m sure it has.

Good writers are indeed storytellers, regardless of their genre of choice. Becoming a good writer is what we all strive for. The good news is, we ALL have a story to tell.

 
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Posted by on January 8, 2013 in Thoughts on Writing

 

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Writing is like a Train

For me writing is like a train.Train

The Warm Up:

Train: The engineer gets into the locomotive, turns on the power, and fires up the engine.

Writer: I create characters that I think will be interesting. Next comes a situation the characters find themselves in that will create tension and lead to further adventures. The setting is somewhere within the fantasy world I created years ago. Finally, I gather my plot notes (islands), character sketches (Traits and Tags), and a big bottle of water and head to the Storyboard. Once the islands have been laid out, I go to the computer.

Leaving the station:

Train: The locomotive winds up and builds to a roar. The train begins to inch forward. It crawls along for a few yards as the full weight of the train is taken on. Now there is some momentum and the train begins to pick up speed.

Writer: The blank screen is deafening. My mind is full of the possibilities that await the characters but, nothing is happening. There is a moment of panic and self-doubt. My hands reach for the keyboard as I try to formulate the first sentence. It has to be the best sentence of the story. The hook has to be perfect. I stop and take a drink from the water bottle. Then I remember that the first draft is always crap. My hands return to the keyboard and I peck out the first sentence. No, it’s not perfect but, it is a start. Take another drink. Back to the keyboard. Soon the first paragraph is complete and the head is getting into the game. Each paragraph that follows is easier than the last.

Coming up to speed:

Train: The train accelerates to its cruising speed. The power and momentum seem unstoppable. The cars jostle around over the uneven tracks. However, the train keeps going forward.

Writer: Once I get into a writing rhythm, woe unto any who disturb me. My mind is in high gear and the fingers begin to have a hard time keeping up. I have become the characters at his point and the story flows out like a lake draining though a broken dam. I just stay out-of-the-way and let it happen.

Coming into the next stop:

Train: The Engineer reduces the power and the train begins to coast. The friction of the wheels against the steel rails begin to slow the train down. As the train enters the station, the brakes are applied. The momentum of the train strains against the brakes because it wants to keep going. At last the train jerks to a halt and the sound of the locomotive drops to a hum. It’s not off, just waiting for the command to crank it up again.

Writer: The mind is racing forward ahead of the fingers and it sees the end of the scene/chapter/story before the fingers do. Once the mind reaches the end, it begin to coast. The fingers continue to bang away but by now fatigue is beginning to set in. The keystrokes are becoming softer and begin to slow down. The final paragraph flows forth but much weaker than before. Finally, the fingers type out the last few words and then become motionless on the keys. The Save button is pressed. The mind, however, is already working on the next scene/chapter/story. Wanting to move forward.

 
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Posted by on December 5, 2012 in Thoughts on Writing

 

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