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Once upon a time…

Once upon a time... Public domain image

Once upon a time…                                   Public domain image

If you have ever read folk tales, fairy tales, or fantasy stories of any kind, you have heard the words, “Once upon a time…” The purpose of the fantasy writer, and any writer for that matter is to transport the reader to another time and place. Can you think of four words that do a better job of opening the reader’s mind? The essence of this opening evokes the reader’s mind to journey to a land far away and usually a long time ago. The ‘Once” would indicate that the story only occurred one time. And, since most end with, “They lived happily ever after.” it would seem that the conflict that created the story was gone forever.

For the folk tales and fairy tales of old, This was a great way to open the story. Any time we heard that phrase we were prepared, and still are prepared to be transported to something special. We have talked about opening lines before and how important they are. However, the fantasy genre has evolved and expanded. Paranormal and horror have melded with fantasy. Vampires and werewolves have taken over for elves, halflings, and dwarves.

Urban fantasy has exploded. Every major city and more than a few minor ones have been converted into the hunting grounds for the above mentioned vampires and Lycans, as well as, zombies, wizards, demons, druids, fae, dragons, and yes, even elves. Writing about fantasy in the current modern world created some interesting challenges for writers. How to invoke that sense of wonder and departure from reality in a way the reader would believe.  

Take Jim Butcher’s epic urban fantasy series, The Dresden Files. In the first book Butcher uses the entire first page to introduce The main character. The new mailman can’t believe the sign outside Harry Dresden’s office. It says, ‘Harry Dresden, Wizard’. You see Harry is the only practicing wizard in the Chicago phone book. Butcher puts it in your face on the first page and you either accept it or not. but from that point on you know you are reading a fantasy story set in contemporary Chicago, Illinois.

Where Butcher uses a page, others still try it with one sentence. For example, let’s take the opening line from Kevin Hearne’s Iron Druid Chronicles, “There are many perks to living for twenty-one centuries, and foremost among them is bearing witness to the rare birth of genius.” Okay. We will be dealing with a person who was alive and fought with Genghis Khan. You think this is a fantasy story? And even though I am not a fan of vampire stories, this opening line to Jaye Wells’ “Red-headed Stepchild” had me for the duration of the series. “Digging graves is hell on a manicure, but I was taught good vampires clean up after every meal.” This vampire does NOT sparkle! But, she does have a great sense of humor.

So, what can we do to urbanize the classic opening, “Once upon a time…?” Granted it’s not as flashy but what about…

“Right now, in a city near you.”

 
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Posted by on March 13, 2014 in Journey into Fantasy

 

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Actress and the Warlock Part VI

This is continuation of a story that started as a writing exercise, My Scene. It is coming in flashes, both literally and figuratively.

One story note: During a clean-up and initial revision of the first five parts, I decided to change the governing body that Derek reports to. Instead of the rather cliché “Wizard King” I’m going with “The Pentacle”. The nature of this entity will be revealed at a later date.

A quick background: I am Derek Nantan, a North American Marshal in the service of the Pentacle. My territory ranges from the continental divide in the west to roughly Chicago in the east. I was tasked with helping Amy Hatcher, an Oscar-winning actress, by ridding her of a stalker that a local shaman suspects to be a warlock.

“By what name should I call you?” I asked knowing that the sprite would not give me its real name. Real names hold power. Especially in the paranormal community.

“Gypster is a name I am known by.”

“It’s a pleasure to meet you, Gypster. I’m Derek.”

“I know who you are,” Gypster said as he stood up. “You’re an enforcer for the Pentacle.”

“Marshall,” I corrected. “I help to keep the magical community in line so the Norms don’t panic. You wouldn’t want a bunch of children running around with butterfly nets looking for the sprites that they used to think were Fairy Tales?”

Gypster flinched and took a step back. His face scrunched up and shook his head. The fey despised the term fairy tales.

I squatted down so Gypster didn’t have to crane his neck so much to speak with me.

“Am I correct to assume you are aware of the evil that is active in this area of late?” I asked.

The sprite shuddered before answering which told me more than any answer he would give.

“You are correct. It first appeared about twenty suns ago. At first it just wandered about, not doing much of anything. Then, it became interested in the woman at the ranch.”

“And how long ago was that?”

“Um, about twelve suns ago I think.”

That fit with the time that Amy and her staff had said the first of the carcasses had shown up.

“Do you know who this evil is?”

Gypster shook his head. “No. I don’t know its name. I don’t want to know its name. I don’t even want to see it.”

Gypster started to pace. He gnawed on a fingernail.

“Its dark…really dark.” The sprite said. “You know what I mean?”

I watched him fidget. He seemed to grow more agitated as we talked.

“Yeah,” I said. “I know dark.”

You did not become a marshal for the Pentacle without having faced down and defeated some very dark critters. That was the nature of the job, to track down and dispose of dark threats to the Norms. In general, humans don’t even believe in things that go bump in the night. The vampires and werewolves currently popular with film makers and writers of fiction are very real. However, those nasties are on the lower few rungs of the threat ladder that calls this plane their playground. At least vamps and wolves can be killed. I’d run into a few summoned creatures that the best I could hope for was to banish them back to their home plane. The fact that Gypster was using the pronoun it and not he or she did not escape me.

“Do you know how it came here?”

“No,” Gypster replied.

The sprite cocked his head as if he heard a sound and stared off into the darkness. I noticed that Lola, as well, was looking out toward the arroyo to the south. I didn’t hear anything but both Gypster and Lola have radar-like hearing. No doubt something was moving out there.

“No, I don’t,” Gypster repeated after a moment.

He seemed a distracted so I maybe I could get a straight answer to my next question. “What are you doing out here on this dark night?”

Gypster replied quickly. “I delivered an invitation to the brownies who care for this house.”

My mouth must have fallen open because Gypster looked up at me and seeing my expression, stomped his foot and muttered something under his breath.

I closed my mouth studied the sprite for a moment. He was looking everywhere but at me.

“Are you saying that Amy Hatcher has house brownies?”

“Ah, no. I’m not saying that.”

“Really? Let me rephrase my question.” I chose my words carefully. “Did you say that you delivered an invitation to brownies who are caring for the house that Amy Hatcher lives in?”

Gypster looked up and tipped his head from side to side. Finally, he looked at me with sheepish eyes and said, “Speaking literally I’d say yes. That is what I said.”

“Interesting.” I filed that away. Someone was holding out on me. Either Amy or one of her staff had to not only believe in, but actively nurture a relationship with the fey for house brownies to stick around.

“Who was the invitation from?’ I asked.

“That I am not at liberty to say.” Gypster punctuated his answer by crossing his arms.

I suspected that the invite had come from a member of the Seelie Court that ruled over the light side of the fey community. It didn’t matter at this point so I let it drop. Lola must have become bored so she leapt from the fence post and with a few slow flaps of her wings vanished silently into the night.

“Are you aware of any fey or other immortal who would have a reason to scare or injure Ms. Hatcher?”

This time Gypster thought before he spoke. “I am not aware of anyone of the long-lived, who would have reason to do her harm.”

I nodded at Gypster. that was about all I could expect him to answer that might be of help. I knew better than to thank him as he would take that as a sign that I now owed him a favor. It was never wise to owe a fey for anything.

“You have done your Queen and your people proud today,” I said. “You have fulfilled our agreement. Be well, Gypster.”

The sprite stood up straight and puffed out his chest at my comment. “And you as well, Marshal. May your days be light and lively.”

We nodded to each other and he simply disappeared.

I stood and continued on my way following the fence around Amy’s property. It was nearly midnight when I approached the main compound from the east. The closer I get to the compound the more I felt that natures balance was way off. When I reached the cars my hackles were at attention and my eyes were glued on the barn doors. I reached into my shirt pocket and withdrew the Apache Tear.

The size of a racket ball the stone was my power orb. All wizards used some form of orb to help channel the energies that they utilized. There was a slight glow coming from the center of the stone. As I approached the barn door, the glow became more intense. I held the orb behind my back and opened the door to the barn.

Check out the previous scenes at, Actress and the Warlock Part IPart IIPart IIIPart IV, Part V.

 
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Posted by on March 31, 2013 in Actress and the Warlock

 

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Goldmine for Characters

I love airports. The hustle and bustle of people from so many different places. Where do they all come from? Where are they all going? Why do they dress the way they do? What language are they speaking? I can think of few places better to study people. A large shopping mall would be a second option.

Take your notebook and sit down with a cold drink where you can see people as they pass by. Pick one and describe them, in detail. Be sure to include small details, not just their height and weight. Do they have any scars or visible tattoos? Might they have some hidden? Go ahead take a guess. I do not recommend you go up and ask them, unless of course, you are an extreme extrovert and don’t mind a hard slap in the face.

Now, think about what they are doing in the airport. Where are they going and why. C’mon, you’re creative. It’s easy. What sort of intrigue are they involved in? Did they just have a fight with their boss? Spouse? Stranger? What about? What conflict drives them? OMG isn’t this fun?

With a little luck you can hear them talk to someone else. How does their voice sound? Is it high or low? Does it have texture? Is there a dialect you can pick up on. What are they talking about? Business, Family matters? Corporate politics? Write it down. Don’t sit there staring at them. You don’t want to be arrested for stalking, do you?

Sometimes you have to write fast. They move in and out of your life so fast. That’s okay, there are lots more. If you can’t fill up a notebook during a two-hour layover in O’Hare or La Guardia, you are not trying very hard. Now the hard part is over.

Here is the fun. During the two and a half hour flight to anywhere, look through your notes. Try to regain the image of each character. Think about the story you are writing. Where can this character fit in? Some times it’s hard. But remember, there are lots of characters in your story. They may be minor but why not let them have the back story you created. Most of the time I come up with several good to great characters that can easily be inserted into my story.

I will leave you with one piece of advice. The next time you are traveling through an airport and you happen to see a man scribbling away in a notebook who occasionally glances your way. Have no fear. It is only me, adding to my list of characters.

Have a nice day!

 
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Posted by on February 27, 2012 in Other Strangeness

 

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Heros and Villains

Which is harder to create and make real, your hero or your villain? Almost everyone I speak with says that villains are much more fun to write. “You can do anything and get away with it.”  “Let you mean side take over.” You can be despicable and no one gets hurt.” Well, I must be the odd ball. One of my greatest struggles is writing a believable villain. Now, I know that my antagonist must be at least as bad as my protagonist is good.  But, for some reason my bad guys keep coming off as cliché’s. The truth is that getting into the head of a psychopath is just plain scary. I’m not an evil person. I like to think that I’m a pretty nice guy. How in the world can I know what’s going on inside the head of a maniac? To borrow someone else’s quote, “Mean people suck.”

The good news is that over the past couple of months there has been a slight breakthrough. While doing some freewriting, I came upon the Keys that unlocked my antagonists. In one case it was a conversation with his mother-in-law regarding money and the fact that he can’t support her daughter the way he should. In the other case, it was growing up seeing the cleaning crews remove dead bodies of street people from the gutters of the slum each morning and finding out those bodies were taking to a man who was using them for interesting experiments. In each case there was a defining moment caused the individual to begin acting in an “evil” way. NOTE: For the record, I believe that evil is relative and is based on an individuals frame of reference. 

The Key is, what was the set of circumstances that set the antagonist on the path they walk? All of us, no matter how good and pacific we may think we are, if given the right set of circumstances, are capable of horrendous acts. This is the truth. If you do not believe me, watch the evening news or ask anyone who has been in a combat zone, worked in law enforcement, or emergency medicine. So, what is it that can make a nice, sane person turn “evil”? That is the question that I have been asking my characters. I ask them to remember their defining moment and then free write until I have enough material to explain their actions.

So, my friends, I have two questions for you: Do you prefer to write about your hero or your villain? How do you get inside your villain’s head?

 
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Posted by on February 6, 2012 in Other Strangeness

 

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