RSS

Category Archives: Thoughts on Writing

What’s In Character?

Every story has at least one character. The character can be almost anything. It could be a person, a spider, a tree, a rock, a dragon, a storm, etc. What ever the character is, it has physical and emotional features. It has a point of view, perhaps a history, some kind of future. Most likely, it has a personality, a temperament  even feelings. A story without a character is not a story.

Characters are depicted in different ways by various writers. Some go into lavish detail about how characters look physically while others use virtually no physical description at all. These latter writers rely on the reader to create a mental image of their own based on the character’s actions and dialogue. Even though the physical description never makes it onto the page, I would bet that the writer knows what the character looks like and how they dress. Interesting characters have detailed backgrounds. It’s the character background that I am interested in exploring.

Most of my stories start with a character. My first writings were, in fact, character sketches for role-playing game participants. I enjoy character creation and have approached it from many different angles. Sometimes I start with a physical description, sometimes a profession, sometimes a core personality profile, and sometimes a history. Each one works and very well-rounded layered characters can be created, regardless of where you start. The key thing is, always build more into the character than you will actually use in the story. Sometimes, your characters will go someplace or have to deal with an issue that you may not have thought about when you started writing. If you have a detailed character background, you can easily determine how your character should respond.

Recently, have I tried to write without having a fully fleshed out character to start with. I am finding myself having to re-read previous sections to remind myself what the character said or did. This is time-consuming, so I have started taking notes as I write. I hope the characters turn out okay. we shall see.

My intention is to offer a series of posts devoted to character creation. During the series, I will tear apart the main character from several flash fiction pieces and my short story, “Good Night’s Sleep”.  I will show you how Yursi was developed. I actually created her twice, using two different methods. Each gave slightly different results, as it should be.

I look at character creation like creating a painting. The artist starts with a blank canvas and begins by drawing a pencil sketch, the a base layer of paint is applied. Then, the picture begins to take shape as the artist adds layer upon layer of paint to the canvas. Each layer uses the layer beneath and adds detail to painting until together, all of the layers make up the final image.

I have seen characterization addressed many times in blog format. Usually, it is a brief discussion talking about character tags and traits we use to describe characters within the story. I have posts covering those areas as well. I hope this series will be a deeper dive into the background material where those tags and traits originate.

If you are in the initial stages of a story or have a story with a character that seems flat, I will give you suggestions that may help you bring your characters to life. Along the way, if your character has a major problem area that you would like to discuss, I would be happy to do so. :-).

 
9 Comments

Posted by on February 8, 2013 in What's in Character

 

Tags: , , , , , ,

Actress and the Warlock Part IV

This is continuation of a story that started as a writing exercise, My Scene. It is coming in flashes, both literally and figuratively.

A quick background: I am Derek Nantan, a North American Marshal in the service of the Wizard King. My territory ranges from the continental divide in the west to roughly Chicago in the east. I was tasked with helping Amy Hatcher, an Oscar-winning actress, by ridding her of a stalker that a local shaman suspects of being a warlock.

For those of you who skipped the last part due to graphic descriptions of an animal carcass, here are the Cliff Notes. Derek and Amy went to see what Ben, a ranch hand, had discovered and found an animal carcass with a warning note attached to it. The note read, “Soon I will come for you.” Also written on the note were several symbols which Derek could not read but looked like sand paintings of some kind.

Fire is a universal cleaner. The problem is, it tends to destroy the article you are trying to clean. However, if applied correctly, it kills disease germs and parasites, it can neutralize some poisons, and can eradicate the remains of many magical spells. It was the later that concerned me. So, I carried the javelina carcass well away from the house and other outbuildings, drenched it in gasoline and burned it. I began to dig a hole in the red clay and sent Hector, the boy who brought me the shovel and gasoline, to my jeep to retrieve the grey wool shoulder bag behind the driver’s seat.

I had finished filing in the shallow grave by the time he returned. I opened the bag and removed a small leather pouch. I took a large pinch of the tobacco within and held it up to each of the four directions beginning in the west and turning clockwise. I touched it to the earth and held the offering to the sky.

“Grandfather, have mercy upon me. I am a pitiful man. I ask that you receive my brother’s spirit as I ask him to forgive my taking his life. I only wished to end his suffering. I ask this not only for myself, but so that the People might live. Ho. Mitake oyasin.”

I cast the tobacco across the place we buried the animal and closed the tobacco pouch.

“Let’s go back to the house,” I said to Hector as I replaced the pouch in the shoulder bag.

I saw tears in his eyes as he nodded to me. I picked up the bag and put my hand on his shoulder as we walked. On the way, Hector turned to me with a questioning look.

“What is it?” I asked.

“Ms Hatcher told us you were Apache.”

“Half.”

“That wasn’t an Apache ritual was it?”

“No. Lakota.”

Hector still looked confused.

“The Great Spirit is not concerned with where your blood comes from,” I said, guessing what was bothering him. “The Great Spirit is concerned with intent.”

Hector nodded slightly so I continued.

“Man’s belief systems carry as many names as there are people. Each has tools and rituals to help the individual focus and connect with the Source of their beliefs whether its God, Buddha, Allah, the Green Man, or within themselves. The problem is that most individuals get so focused on the tool or ritual, that they forget the intent is what’s important. Does that make sense?”

“Yeah, I think.”

“The key is to use the tool that works best for you as an individual. The tool only helps to make it easier for you to connect with the Great Spirit. It is not required. I have had many teachers.” I raised the shoulder bag and showed him the stone that was my power orb. “I choose to use the tools that work for me.”

“I understand. It’s kinda like Ben says, ‘The job is easier if you pick the right tool for the job’.”

“Exactly.”

I looked up and saw Amy watching us from the patio door.

“Let’s get inside,” I said. “I need to hear what’s been going on around here.”

We walked around the pool and Amy ushered us inside.

Check out the previous scenes at, Actress and the Warlock Part IPart II, Part III.

 
6 Comments

Posted by on January 23, 2013 in Actress and the Warlock

 

Tags: , , , , , , , , , ,

First Drafts

Those of you who follow my blog have seen several posts entitled, The Actress and the Warlock parts I, II, III. It is an experiment that I started after a writing exercise during a writer’s group meeting. For those who are just viewing this blog for the first time, let me give you a little background. I took the character and setting from the writing exercise and am trying to write a complete story using a series of flashes. So far, each flash has run fifteen or thirty minutes. Once the timer goes off, I finish my last thought and go back over the piece to clean up spelling and obvious grammar issues so I don’t look like a complete idiot when I post it. They are VERY rough pieces.

I’m still not sure where the characters are going to take me and that’s half the fun. But, to help keep some continuity, I went back to the beginning and am taking notes on what I have already written. Three things jumped out at me as I re-read the first drafts.

One, I need to add more sensory interaction, including character tags and traits. This was not really surprising to me. I am trying to write as fast as I can (which is not all that fast) in a limited amount of time. So, the result is the bare bones plot with very little description or back story. I like to take my time and look through character and setting notes to add these details. Giving the reader key sensory details makes the characters and setting come alive.

The second thing that I realized is that I will need to add considerably more tension during the re-write. This did surprise me a little. Maybe it’s because, I see the story in my head and the tension is there. However, because I am writing fast, the tension does not make it to the keyboard as fast as my mind has laid it out.

Lastly, writing in first person POV is different from what I’m used to. This is my first extended experience writing in first person. It’s fun in that I am the protagonist with all of his traits and abilities. However, I have to be careful handling the other characters since I no longer know what they are thinking. I can only respond to their words,  actions and what I already know about them.

I need to hold off starting any re-writing until I finish the first draft. I do need to create some back story on a couple of the characters. They came into being outside my usual method so I have to do some character building based on what I’ve written so far.

So far this has been fun and educational. I originally thought this would be a short story, but it seems like it will go much longer. I will just keep writing the flashes and see where it takes me. I hope you are enjoying this project and I look forward to hearing any feedback you would like to share.

 
10 Comments

Posted by on January 14, 2013 in Thoughts on Writing

 

Tags: , , , , , , , , , , , ,

Storytelling Through the Written Word

share-your-story

We all think we have a story to tell. If not, why would we want to become writers? As writers, telling stories is what we do, isn’t it? Let’s find out.

The website, Storytellingday.net, defines storytelling as: “An art form of conveying a series of events in words, images, and sounds, which are often supported by creative thinking or an exaggeration.” The National Storytelling Network (Untied States and Canada) website defines it as: “The interactive art of using words and actions to reveal the elements and images of a story while encouraging the listener’s imagination.” Keeping in mind that these organizations refer to the oral tradition of storytelling and we are discussing written storytelling, I’m going to take a liberty and use readers where they use listeners.

Storytelling is, in fact, an oral tradition that goes back as far time itself. Some have postulated that the first stories were told to explain a failure. Hmm… “..supported by creative thinking or an exaggeration.” maybe that’s were fishing tall tales got their start. Sounds like fiction to me. We will come back to this later.

I remember as a boy sitting around the campfire listening to my elders tell stories about hunting, fishing, working on the railroad, or humorous war stories. I sat enthralled for hours. To this day I love to hear a good story told well. One of my favorite movies, “Out of Africa”, has a character that is a great storyteller. She is given the names of a couple of characters by her audience and she then creates a story off the top of her head that may go on for hours.

For the purpose of this post, I will define storytelling as: “Using written words that encourage the reader to use their active imagination, to create a sensory-laden story where the reader is fully engaged.” Now let’s see if can explain myself over the next few paragraphs.

The easy part is the first part. As writers, we use written words. On occasion, we can use cover art or illustrations to help convey story. However, words are our world. There are a lot of words at our disposal. Some are better than others. This is where the writer’s craft comes into play. The writer needs to select the best combination of words to help the reader create a real world. Choosing the right words is the art of writing. There are libraries full of how-to books on writing. Nearly all of them have good advice. But, ultimately, it is up to the writer to choose what works best for the story in question.

We have little control over the quality of the reader’s imagination. Each person is different. Some people can take a few words from a writer and create a whole fantastic world. Those reader need very little setting detail get into the story. Others can’t imagine anything that is not actually resting in their hands. All of the flowery descriptive prose in the world is needed to help them “see” what the writer sees. A writer must know their audience so as to chose the best words to fire what imagination the reader has.

If we want to reader to hear sounds, smell odors, feel textures, taste flavors, we must use words to help the reader build those things. Storytellers using the written word must choose their words carefully to help the reader create the real story in their head. Writers, just like in the oral tradition, must incorporate each of the reader’s five senses. The writer must see, hear, feel, taste, and smell the world they are trying to put to paper. The more vividly we write, the easier it is for our audience to be completely absorbed into the story. One of the keys to good writing, in my humble opinion, is to add the sensory details to the story without spending a page and a half explaining what a sunrise looks like. A few words scattered here and there within the action of the scene seems smoother and more interesting to read than an info dump.

Isn’t what what we’re after, as storytellers, is for the reader to be completely absorbed in the story? Have you ever read a book and become so engrossed in it that you find yourself laughing out loud? Or, you feel the character’s frustration and cry out in anguish? Or, feel the pain of the character’s loss and begin to cry? When that happens, the writing storyteller has accomplished the task at hand.

That brings us to the question of “…use of creative thinking or exaggeration.” On the surface this would push the storyteller toward the realm of fiction. However, non-fiction writers, do not despair! Even textbooks can be written in such a way as to draw the reader into the subject matter and still be truthful. The use of real-life experiences, anecdotes, and examples can help to make even the driest material palatable  Exaggerations can also be used to help prove a point. I have not seen a lot of this technique used in pure non-fiction. However, I’m sure it has.

Good writers are indeed storytellers, regardless of their genre of choice. Becoming a good writer is what we all strive for. The good news is, we ALL have a story to tell.

 
7 Comments

Posted by on January 8, 2013 in Thoughts on Writing

 

Tags: , , , , ,

Actress and the Warlock – Part III

In a previous post, My Scene, a story line began as a writing exercise. I thought the character was interesting and mixing urban fantasy with a western novel flair made me curious to write more of the story. So, I’m writing it a in series of flashes and I plan on this being a short story when completed.

Warning!!!  This section is a little graphic in its depiction of an animal carcass. if you are sensitive to this please skip this part. I will summarize it in the beginning of that next post.

We ran through a short breezeway that opened out into a large patio at the back of the house. The patio area included a swimming pool, Jacuzzi, and outdoor kitchen. The whole area was surrounded by six-foot high cast iron fence. As we skirted the pool, I could see a group of people gathered at the fence beyond the far side of the pool. We got closer and I saw something hanging from the fence. My gut started to clench in anticipation for what I suspected was coming. We came up to the group and they turned toward us. Their faces were twisted in horror. One woman dropped to her knees and began vomiting on the flagstones. Amy stopped several feet from the fence and her hands went to her mouth. I pushed past her and my guts twisted harder as I saw what everyone else was looking at.

Hanging from the fence was the carcass of a javelina, a small wild pig native to this part of the world. The spike on top of the fence had been forced through the lower jaw and protruded from the poor creatures open mouth. Its skin was peeled back in strips from its head all the way to its haunches and hung down like bloody ribbons. The javelina’s belly was opened and its entrails spilled out against and through the fence. Blood was still dripping from the carcass which meant it had only been recently left there. My skin crawled at the feeling of evil which hung in the air.

Few things bother me as much as  blatant cruelty to animals. My teeth ground so hard, I could feel my jaw start to throb from the pressure. I unclenched my fists and reached forward. A scrap of buckskin was attached to the javelina’s head with what looked like a carpet staple. Something, was scrawled on the leather.  I pulled the buckskin free. When I did on of the javalina’s back legs kicked. I stumbled backwards and almost fell down.  Somehow the thing was still alive. Behind me I heard people gasp and begin to wretch.

“Christ,” I said. “Everyone get back.”

I stepped back further and drew my revolver. The roar of the.357 stole the sobs from those present. The animal flinched, then hung still. Silence followed for a moment. Then in the distance, a coyote began to howl.

“Take that you bastard,” I mumbled to myself as I holstered the gun. Puma had been right. Whoever was doing this, was drawing power from the pain and suffering of the animals and then drawing even more from the humans fear that the suffering caused. The evil feeling seemed to lessen. By ending the javelina’s misery, I broke the flow of power.

I looked down at the buckskin in my left hand. The writing had smeared slightly as some of the blood had not dried. There were four symbols which I did not understand. They resembled sand paintings in their shape. But the rest of the message was easily read. Soon I will come for you!

I turned around. Amy was on her knees holding the woman who had been vomiting on the patio. The woman was sobbing and kept saying, “I’m so sorry, Ms. Hatcher. I’m so sorry.”

Amy stroked the woman’s hair, “Shhh now, Gayle. It’s going to be okay.”

Amy looked up at me. Her eyes pleading for me to do something. I turned to the Indian boy who had led us here. “Son, bring me some gasoline and a shovel.”

I turned back to Amy and she was helping Gayle to her feet. Bill came running around the pool carrying a Winchester lever gun and looking for something to shoot at.

“It’s okay, Bill” I said holding up my hand.

He came to a stop and looked at the carcass. He shook his head and said, “I heard a shot.”

“It was still alive,” I said. “Let’s get everyone inside. The boy and I’ll take care of the mess.”

Bill began to object and I stopped him by saying, “I’ll be in as soon as I’m done. All of us need to have a talk.”

Bill and Amy nodded and started herding everyone back towards the house. I looked at the symbols on the buckskin but still didn’t recognize their meaning. I stuffed the message into the pocket of my coat and  started back toward the fence…

Check out the previous scenes at, Actress and the Warlock Part One and Part Two.

 
2 Comments

Posted by on January 7, 2013 in Actress and the Warlock

 

Tags: , , , ,

When is a Prologue not a Prologue?

Much of my writing time of late has been spent, as it should be, on my current WIP novel, “Smoke and Goblet”. I wrote what I thought would be the opening scene quite a while ago. My writing group critiqued it and I made revisions. Thinking I had a solid opening scene, I moved on to writing other scenes that would round out the first third of the book. Several of these scenes introduced other major characters and gave additional exposition regarding the main conflict. While writing a scene introducing my primary antagonist, I hit a wall. The scene just did not feel right. It read like a flashback based on the preceding scenes.

I went to my storyboard and moved some scenes around. The logical place for this scene was the opening scene. I based this on the flow of ownership of the object that causes the main conflict in the plot and not on which character is introduced first. It just made more sense to me that the reader would want to know how the object got to where the protagonist obtains it. Also, it is a great set up to show just how nasty the antagonist is.

My dilemma came from several writing sources which stated, “Anything before the protagonist is introduced, is a prologue.” These sources further state that, “Prologues, with few exceptions, should be avoided.” Prologues require the author to write two opening scenes which cause the reader to start the story over. A prologue often contains characters other than the main characters of the story, is set in an early time, and/or is located in a different setting. It is a set up that may provide exposition the author can think of no other way to introduce to the reader. I have read novels with and without prologues and I understand what the writing sources were trying to say. I think most stories can do without a prologue quite nicely. That brings me back to the question of this post.

My opening scene introduces my antagonist, his evil personality, and the object which will be the main cause of conflict for the remainder of the story. The second short scene shows how the object changes hands before the protagonist is introduced and obtains the object in the third scene. I do not believe that the first two scenes fit the definition of a prologue as the timeline, antagonist, and conflict are consistent with the rest of the story plot. I’m not adverse to using a prologue. I’m just not sure that is what I’m dealing with.

So…when is a prologue not a prologue? Have you used a prologue in your writing? Did an editor ask you to either add or delete a prologue? What was their reasoning?

 

Tags: , , , , , , , , , , ,

Actress and the Warlock, Part 2

In a previous post, My Scene, a story line began as a writing exercise. I thought the character was interesting and mixing urban fantasy with a western novel flair made me curious to write more of the story. So, I’m writing it a in series of flashes and I plan on this being a short story when completed.

The next few scenes introduce the protagonist with his client and gives a little more information on the conflict he has to overcome.

I turned the jeep off the highway onto a county road and followed it for about a half mile. The road snaked through several rock outcroppings. The ever-present sagebrush dotted the rocks and gave off a wonderful wet aroma that permeated the air. The earlier shower had knocked down any dust so I opened the windows on the jeep to let the fragrance in. As I came around a sharp turn, I hit the brakes. At first, it looked like a tree branch had fallen in the road. Then the branch began to slither across the warm pavement. I watched as the four-foot long rattlesnake made its way to the safety of the shoulder. 

“You certainly are a big one,” I said to it as I continued past.

A few hundred feet further, the road dead-ended in a turn around. Off to the right, set into two large adobe pillars, was an iron gate across a paved driveway. This matched the description I was given of the gate to Ms. Hatcher’s ranch. A seven-strand fence ran off from each pillar and continued out of sight in either direction. I pulled up to the gate and saw a smaller pillar housed a call box and a camera. Hanging on center of the gate was a deer skull. Half of it was painted blue, the other half white. A black lightning bolt separated the two colors. There seemed to be other symbols painted on the skull, but I couldn’t make them out without closer inspection. Feathers, beads, and stones hung from leather thongs tied to the skull and antlers. The effect was both beautiful and sinister.

It took me a moment to realize that the hair on my arms and the back of my neck were standing out straight. I could feel conflicting energies at work. I recognized the skull as Puma’s work. It was part of his protection wards. There would be three other skulls with similar decoration attached to the fence surrounding the property at the cardinal compass points. I also heard a low hum coming from the fence and quickly located the insulators that indicated the fence was electrified. 

There was something else. A feeling of dread. Nature is about balance and I could feel when things were out of balance. My father and Puma had taught me to be sensitive to Nature’s balance during my training as a shaman. That sensitivity had been refined by my stepfather as he taught me to draw upon and use Nature’s energies to cast spells. Something was definitely out of balance here and not toward the positive side of the scale.

I reached out and pushed the button on the call box. A few seconds went by before a man’s voice came through the speaker.

“Yes,” the voice said.

I leaned closer to the speaker and looked directly in the camera.

“I’m here to see Amy Hatcher. I’m Derek Nantan.”

The voice hesitated for a moment then asked, “You the U.S. Marshal?”

I smiled at that. My area of responsibility for the Wizard King was primarily in the United States, but I did not answer to the U.S. Government. Trying to explain it to someone over a speaker would only confuse them and most likely, not get me through the gate.

“Yes,” I said.

“Okay. Drive up to the house and someone will meet you.”

“Thank you,” I said to the now silent box.

The gate swung open and I pulled forward. I felt the power of Puma’s wards part as I passed through them. Had I not been granted access and tried to force my way in, I would have most likely been burned to a cinder. The driveway curved around a boulder the size of a small house and then started down into a little valley. I got my first glimpse of the house. A sprawling Spanish-styled hacienda, the main house was large, but used typical construction for the area, white adobe with a red tile roof. The landscaping used local plants and was immaculately maintained. The pavement changed from asphalt to blue flagstone as I pulled the jeep into the main parking area. So far, Ms. Hatcher’s ranch looked exactly as the article I read in a celebrity gossip magazine had described it.

I parked the Jeep next to a burgundy Escalade. I stepped out and started for the front door. Before I took five steps, the Marlboro Man came out and waved at me.

“Howdy. You must be Mr. Nantan,” he drawled. “Ms. Hatcher sent me to fetch you back to the garden.”

“Yes I am,” I said. “Please call me Derek.”

“Fine, Derek,” he said. “Bill Hanna’s the name. Pleased to meetcha.”

He took my hand in a strong handshake. Heavy calloused hands confirmed he not only looked like a cowboy but he was probably the real deal. Puma said that this was a working ranch and that Ms. Hatcher had a large staff.

“I’ll show ya the way,” Bill said as he turned and headed back toward the main entrance. “I sure hope you can figure out what’s going on around here. Ms. Hatcher’s plenty scared. She sent most of the staff away on account of all the carcasses showing up. County sheriff says there’s nothing he can do. The animals are all varmints and there’s no law against killin’ em.”

Bill shook his head and opened the huge double oak doors that lead to the house. He waved me through and checked to secure the door.

“It just ain’t right. Sheriff also said until there’s an actual threat against someone’s life, he’s pretty much hog-tied. He seems to think it’s just some kids messin’ around and they’ll get tired of it and quit on their own.”

Bill led the way through a large entry way and into a courtyard.

“What do you think it is?” I asked. “You don’t seem to agree with the sheriff’s take on it.”

Bill stopped and looked me in the eye. “Mister, I’ve seen a lot in my sixty-two years.” Bill’s voice matched his hard stare. “But I’ve never seen a bunch of kids mutilate animals that way. It looks to me like whoever is doin’ it, enjoys it. Some of the notes been left are just plain evil sounding. No kid’s gonna say those things.”

Before I could ask him to explain, we came to a raised adobe garden. A woman was bent over pulling some weeds from the flowerbed.

“Ms. Hatcher, this here is Derek Nantan,” Bill announced. “He’s the marshal been sent to help out with the goin’s on.”

The woman stood up and turned toward me. She wore jeans and a loose denim shirt over a white tee shirt. The denim shirt was embroidered with flowering cacti. Long brown hair was pulled back into a ponytail showing simple stud earrings in her ears. Large brown eyes looked red and her oval face showed lines of worry around her eyes and mouth. I recognized the thirty-three year old actress, but just barely. This was not the red carpet at the Academy Awards and Amy Hatcher wasn’t wearing makeup. She looked dead tired. She wiped her hands on her jeans reached out to shake my hand.

“Mr. Nantan, thank you for coming.”

I shook her hand. Her grip was firm and she too had callouses. Apparently, she worked the ranch and didn’t just own it. That was good to know. My father used to say, “A little hard work never hurt anyone. If they love it enough to work it, then they must be attached to it.”

“Ms. Hatcher, it’s my pleasure and, please call me Derek,” I said as I let go of her hand.

“Derek, call me Amy,” she began. “We’re not in Hollywood out here.”

“That’s a fact,” I replied. “You have a gorgeous property.”

“Thank you,” she said. “I hope you can help keep it that way.” She turned to Bill and said, “Bill, would you please check with Maria and see if lunch is ready?”

“Yes, ma’am,” said the ranch foreman. Bill turned and left the courtyard through a side entrance.

“Ms. Hatcher, I will do everything I can make your problem go away.”

“Call me Amy, please”

“I’m sorry, of course. Maybe you should start by telling me what’s been going on.”

I’d heard Puma’s story, but sometimes the victim can give you insight no one else can. Just as Amy began to speak, an Indian boy, maybe thirteen years old ran into the courtyard.

“Ms. Hatcher. Come quick,” he said panting as he turned back the way he had come. “Ben found another one.”

“Shit,” said Amy as she started after the boy.

I broke into a run to catch up.

“This one was by the pool,” the boy said over his shoulder.

Amy stopped in her tracks. I almost ran into her as I tried to dodge to the right.

Amy’s face went grey and she looked up at me.

“This is the first one inside the main compound.” Her voice cracked.

I touched her shoulder and together we ran off after the boy.

Check out the previous scene at, Actress and the Warlock.

 
Leave a comment

Posted by on December 27, 2012 in Actress and the Warlock

 

Tags: , , , , , ,