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Tag Archives: Short fiction

Short Flashes of Inspiration

Now that the trauma of a home sale, home purchase, and big move is behind me, I can find time to write again. But, writing a novel can be a slog. Ask anyone who has tried it. Sometimes the mind just shuts down. The muse flies back to her mountaintop.

In an effort to trick the muse into returning, I decided to try my hand at some short and short-short fiction. Flash, if you will. I didn’t really realize how difficult short works can be until I applied strict word counts to each attempt. 7,000 to 12,000-word short stories are not too difficult. An engaging beginning, an interesting middle that moves the story along, and a snappy ending are all possible, and for me, quite doable at this length. However, once you enter the realm of 2,000 words or less, the difficulty factor ramps up a bit.

In flash fiction, the flowery descriptions of scenes, the finite details of combat, the lengthy monologues, and internalizations once used to enhance a storyline are too large to include and leave room for the shortened plotline. Every word must count for more than one thing. Every sentence must perform multiple functions.

My first attempts received mixed reviews. A friend from my writer’s group suggested I try poetry. She is quite accomplished, and I take her advice seriously. However, poetry and I do not seem to mix well. After a few pitiful attempts, I returned to editing with a microscope and a scalpel. It was a brutal process. I truly learned what the phrase, kill your darlings means. Any word that was not multi-tasking or absolutely necessary to create comprehensive sentences was quickly deleted.

One project was a 2,000-word short story to submit to a competition at the Lakefly Writer’s Conference in Oshkosh, Wisconsin, this spring. It took much longer than planned, and I missed the submission date. The original story was around 3750 words. I made the cuts to get it to 1,998 words!!! The good news is that I was able to submit a flash piece of around 700 words. We’ll see how that fares.

The bottom line is that this process taught me that word choice and thoughtful editing significantly impact the final piece. Additionally, I can successfully write shorter works. The good news is that the muse has returned, and work on the second novel has resumed.

 
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Posted by on April 4, 2025 in Other Strangeness

 

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Plot Twists in Short Fiction

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A panel topic at this year’s 4th Street Fantasy convention dealt with using Fake outs, False Fumbles,and Misdirection to spice up standard plot tropes. It was a lively discussion as you might expect. The part of the discussion that interested me the most was the Set-up. Those sentences, paragraphs, and even whole scenes that are used to purposefully send the reader down a dead-end or straight into the surprise plot fake out. The Set-up is the clue(s) the author provides the reader that the plot trope they know and love may get thrown for a loop later in the story. Usually, the clues go unnoticed at first as just lightly related information used as world-building or characterization. The number of Set-ups can vary from story to story but as a rule there should be at least three: one towards the beginning, another somewhere in the middle, and then a last one just before the big surprise ending.

During the panel discussion, a comment was made that this is a little harder to handle in short fiction. The clues would be included in at most a “throw away” sentence or two. Frankly, what shocked me more was that the accomplished short fiction writers in the audience did not jump up and scream at the top of their lungs at this comment. Since when is there “throw away” sentences in a 3,000 word short story?

As I stated previously, the initial clue(s) may go unnoticed. But, can they really in a short work? Can you afford to insert a “throw away” line. just to set up a plot twist later? It seems to me that those “throw away” lines are nearly as important and require at least as much consideration as your opening line. These sentences need to fulfill at least two and maybe three or four purposes. One of which is to give the clue that the reader needs to remember, on some level, so that the surprise ending doesn’t seem contrived. Also, keep in mind that the clue should not be too obvious that it jolts the reader out of the story.

So, I would like to hear from you short fiction writers. How do you handle Set-ups in your short works? Or, do you stick with the tried and true plot tropes?

 

 
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Posted by on August 6, 2015 in Thoughts on Writing

 

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