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One Writer’s Update

During the past few weeks, my non-writing life has pushed my writing life into the passenger seat. Not the back seat mind you.

I attended a class on Speculative Fiction through the Loft Literary Center. 6 weeks of reading and a few writing exercises unrelated to my WIP. It kept me busy but, the class wasn’t what I was hoping for. However, as usual, I found some takeaways that will help to improve my writing. So, it was a win in the end.

I haven’t posted any new sections on the Actress and the Warlock. However, there has been work done on this project. I have gone back and cleaned up the first few sections. Since much of this has been done as flashes, several plot points needed to be rethought out to ensure continuity going forward. A missing scene of mostly dialogue is where I’ve spent most of my time writing. I want to get this scene done before I move the story forward. I’m hoping to have it ready to post next week.

I’ve been playing around some with Twitter. It has been an interesting experience worthy of its own post. Yeah, I’ll save that one for later. It might be a really short, or really long post depending on how my last Tweet session goes. 😉

Lastly, I just finished reading, On Writing, by Stephen King. If you haven’t read it, I would recommend it. The second half of the book deals with his writing tool box and his method. As with most books on writing, the reader has to take what is said and try to apply it in their own way. The nice thing about this book was that the author put his advice in PLAIN language with very little interpretation needed. Obviously, his method works. On a side note I found the section where he talks about his accident rather interesting. He is very lucky to have survived As a former EMT, having Stephen describe his own experience, brought back more than a few memories for me, of being on the care giver vs the patient. Overall, On Writing, was a good read.

One other thing. I’ve been looking for techniques on editing, specifically, First Person POV, other than trying to remove “I’s”. For example, checking verb tenses in compound sentences. Those of you who write in first person, do you have an editing checklist that you use? No sense reinventing the wheel.

Okay, now I’m off to write some dialogue.

 
 

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First lines

Some of my favorite first lines follow:

“Once upon a time…” – Everyone has used this one.

“There are many perks to living twenty-one centuries, and foremost among them is bearing witness to the rare birth of genius.” – Hounded by Kevin Hearne

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair.” – Tale of Two Cities by Charles Dickens

“They shoot the white girl first.” – Paradise by Toni Morrison

“The building was on fire, and it wasn’t my fault.”— Blood Rites: A Novel of the Dresden Files by Jim Butcher

“A long time ago, in a galaxy far, far away…” – The open scrawl to the Star Wars movies by George Lucas

“In a hole in the ground there lived a hobbit.” – The Hobbit by J.R.R. Tolkien

Do these first lines draw you in? Do they paint a picture? Each is famous. Each is epic. Does the first line of your story capture the reader? If not, close this post and get back to work.

NO, NO. I’m just kidding. Read the rest of this post, make a comment, and then get back to writing.

The opening line I want to talk about is “Once upon a time…”. We have all heard this since we were too young to understand what it meant. If there every was a line that puts the reader into “Fantasy” mode, “Once upon a time…” is it. Those four words remove the reader to another time. The reader is prepared for something outside the norm. To some extent the word “Once…” is enough to accomplish the same effect.

The problem with those four words, is that they are cliché. They have been used so much, that to some extent, they have lost their effectiveness. Alone, they no longer carry the weight they once did. However, when followed by the right series of words, they still perform magic. For example:

“Once upon a time, there was a woman who discovered she had turned into the wrong person.” – Back When We Were Grown-Ups by Anne Tyler

My response to this first line is “Really? How?”. This is exactly what the author wanted me to say. With fifteen words, I am drawn into the story and my interest is building. Think about the affect the first dozen words of your story have on the reader. Now, think of the reader as a potential agent, editor, or publisher. Does your first line FORCE them to continue reading? If not, stop writing the rest of your story until you have that first line perfect. Great plot, characters, pacing, etc. will be for naught if the reader puts your story down after the first line. It is that important.

Now get back to writing.

 
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Posted by on April 26, 2013 in Thoughts on Writing

 

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No Soapbox for Me

I admit I have been suffering from blank page syndrome when it comes to this blog. My last post was eight days ago. I have been working on the next two installments of the Actress and the Warlock but the motivation has been sorely lacking.

This past week, every time I sat down to write a post, it ended up with me on a soapbox, screaming at the top of my lungs at people who can’t think. The topics varied from political issues, to social issues, to writing issues, the world media, and back. The problem is, I promised myself that I would not, repeat, would not use this site for that purpose. I believe in the right of free speech. However, as writers, I also believe that we must be aware of our audience and use that rarest of commodities, Common Sense, when commenting on sensitive issues. Some would say I’m afraid to speak my mind. To them I say, “Any time, anywhere…except this blog.”

SO, I apologize for not posting anything of real interest this week. Next week will be better. I’m already feeling more productive.

As a wise man once said:

Better to say nothing, and be thought a fool,

Than to open ones mouth and remove all doubt! 

Another wise man, close to me, once said:

Someday your mouth will get you into trouble!

Thanks, Dad. Maybe I have learned something useful after all. 🙂

 
12 Comments

Posted by on April 18, 2013 in Musings and Odd Thoughts

 

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What’s in Character – Now What!

Okay. We have finished your character’s creation. during the preceding What’s in Character blog posts. You’ve been following this blog and building a character along the way. I can here you now. “Great Dennis. I have twenty-two pages of information on each of my characters. My character notebook is a novel unto itself. I know more about them than I do about my own family. What do I do with all of it?” My standard response to all questions is, “That depends.”

1)  If you don’t have a plot in mind for your story, dive into your character’s lives and find something that would come into great conflict with your protagonist. Hopefully, you can also find something about you protagonist that would pose a great conflict for your antagonist. Ta Da, you have an initial plot conflict.

2)  What if you have a plot in mind? Look for new potential character arcs. Ways in which your characters can change based on the plot line. Trust me that the information you have generated during the previous posts is full of potential.

3)  I have a plot. I have character arcs. I have all the conflicts the reader could hope to want in a story. What else can I use this tome for?  COLOR! The whole point of this exercise was to create characters that are real to the reader. Use this material to add realism. Have you character twirl her hair while she talks to the police detective. The officer doesn’t know this is a tell that she is lying bu,t you can let the reader know it is with a few well-chosen words of description embedded in the dialogue. Add bits and sprinkles of your character’s likes and dislikes or tags and traits into dialogue to break it up and make it grab the reader. After a critical scene, your character may need to reflect on the situation. Have them grab their favorite drink, find their favorite comfortable spot and reflect away. The added details can be found in you Tome of Characters. Have fun with it but, don’t over do it. The information about your character that you relate to thee reader should be there for a reason.

It was my intention to give you details as to how my “Yursi” character was created. However, my character file is at 23 pages and growing. that’s too much for this blog. You will just have to read my short story,  Good Night’s Sleep, and the novel to follow to find out more about the raven-haired witch with twin magical daggers that is searching for a lost relative and her own identity while being hunted down by her own family. 🙂 That project is slated for 2014.

Let me know how your characters turn out. 

 
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Posted by on April 10, 2013 in What's in Character

 

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What’s in Character – Experience

In previous What’s in Character posts, we have been creating a character full of interest and realism. We have discussed core personalities, physical appearances, and external influences. Five more layers to add and our creation will come to life.

The next layer is pretty straight forward but no less important. What age is the character? Sure the story line may dictate certain ages for your main characters. However, you should still consider the ramifications of the character being older or younger. Could the “Mentor” in your story be a sixteen year old computer prodigy instead of a seventy year old. How would that affect the way the character reacts? Try different ages for each of your characters and see how the dynamics of the story changes.

Another internal trait that can completely change a character is self-esteem. Variations in self-esteem can affect different core personalities in a variety of ways. A leader with poor self-esteem may look to his advisers to make critical decisions. A self-absorbed engineer may ignore the advice of the architect and take shortcuts when building a skyscraper, just to come in on time and under budget. He could care less that the building is unsafe. Self-esteem issues are very high on the list of reasons people seek counselling. Why does the character see themselves the way they do?

That brings us to major events that have affected the character. Most of us can look back over our lives and point to few events that changed our lives. Our lives were changed not only by the events themselves, but by the way we reacted to the events. Sometimes these events are global and affect thousands of people. Natural disasters, war, and plague are a few that come to mind. Other times they are personal and may seem insignificant to an outsider. For example, a family member dies or is buried on a holiday or a parent ridicules a child in front of his friends. The event doesn’t have to be negative. Setting a state record in a sporting event, receiving the acceptance letter to a highly respected school, or winning the lottery could all be life altering events. Now take into account that core personality. Each personality type may react differently to the same event.

Closely related to major events are the passions that each person has. it may be writing, or running, or chess, or programming computers, or politics, or working with statistics. What ever it is, a character should have one or more things that they are passionate about. These are the things the character does when they are not working for a living. They may be related to the story line or they may be used as  a divergence to slow down the pace of a story. Either way, they make the character deeper. the reader can relate better to someone if they know what the character loves to do.

Okay. You are almost there. You should have a dozen or so pages, at least, of notes about your character. by now you should know the character well enough that you could sit down and have an interview with a reporter as your character and never miss a question. So…

Time to open an internet browser or your file cabinet and locate a “Character Questionnaire”. There are hundreds of them available. I’m sure you’ve seem them and you may have already used them. That’s fine. However, even if you used one before, you now have a fleshed out character that can actually answer the questions in a meaningful way. You have a background and experiences to relate to that will help you answer the questions. Take your time here. These questionnaires can provide a wealth of detail that you can use to draw the reader into your story and make them love/hate your characters.

There you are. If you have followed along and added all of the layers we have discussed, you have a fully fleshed out character that is ready to be thrown to the wolves of your story conflict. You will know how the character will react, most of the time, to most of the situations where you may place them. Why is he hedging you may ask? That’s because, no matter how well you develop a character outside of the story plot, some characters find a way to do what they want even though the writer doesn’t want them to. If this happens, my advice is to go with it. The character may know better than you.

Those of you who have been creating a character using this technique, I would love to hear from you on how it worked out, or not.

See the previous What’s in Character posts at: Core Personality, Physical, Natural Environment

 
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Posted by on April 7, 2013 in What's in Character

 

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Actress and the Warlock Part VI

This is continuation of a story that started as a writing exercise, My Scene. It is coming in flashes, both literally and figuratively.

One story note: During a clean-up and initial revision of the first five parts, I decided to change the governing body that Derek reports to. Instead of the rather cliché “Wizard King” I’m going with “The Pentacle”. The nature of this entity will be revealed at a later date.

A quick background: I am Derek Nantan, a North American Marshal in the service of the Pentacle. My territory ranges from the continental divide in the west to roughly Chicago in the east. I was tasked with helping Amy Hatcher, an Oscar-winning actress, by ridding her of a stalker that a local shaman suspects to be a warlock.

“By what name should I call you?” I asked knowing that the sprite would not give me its real name. Real names hold power. Especially in the paranormal community.

“Gypster is a name I am known by.”

“It’s a pleasure to meet you, Gypster. I’m Derek.”

“I know who you are,” Gypster said as he stood up. “You’re an enforcer for the Pentacle.”

“Marshall,” I corrected. “I help to keep the magical community in line so the Norms don’t panic. You wouldn’t want a bunch of children running around with butterfly nets looking for the sprites that they used to think were Fairy Tales?”

Gypster flinched and took a step back. His face scrunched up and shook his head. The fey despised the term fairy tales.

I squatted down so Gypster didn’t have to crane his neck so much to speak with me.

“Am I correct to assume you are aware of the evil that is active in this area of late?” I asked.

The sprite shuddered before answering which told me more than any answer he would give.

“You are correct. It first appeared about twenty suns ago. At first it just wandered about, not doing much of anything. Then, it became interested in the woman at the ranch.”

“And how long ago was that?”

“Um, about twelve suns ago I think.”

That fit with the time that Amy and her staff had said the first of the carcasses had shown up.

“Do you know who this evil is?”

Gypster shook his head. “No. I don’t know its name. I don’t want to know its name. I don’t even want to see it.”

Gypster started to pace. He gnawed on a fingernail.

“Its dark…really dark.” The sprite said. “You know what I mean?”

I watched him fidget. He seemed to grow more agitated as we talked.

“Yeah,” I said. “I know dark.”

You did not become a marshal for the Pentacle without having faced down and defeated some very dark critters. That was the nature of the job, to track down and dispose of dark threats to the Norms. In general, humans don’t even believe in things that go bump in the night. The vampires and werewolves currently popular with film makers and writers of fiction are very real. However, those nasties are on the lower few rungs of the threat ladder that calls this plane their playground. At least vamps and wolves can be killed. I’d run into a few summoned creatures that the best I could hope for was to banish them back to their home plane. The fact that Gypster was using the pronoun it and not he or she did not escape me.

“Do you know how it came here?”

“No,” Gypster replied.

The sprite cocked his head as if he heard a sound and stared off into the darkness. I noticed that Lola, as well, was looking out toward the arroyo to the south. I didn’t hear anything but both Gypster and Lola have radar-like hearing. No doubt something was moving out there.

“No, I don’t,” Gypster repeated after a moment.

He seemed a distracted so I maybe I could get a straight answer to my next question. “What are you doing out here on this dark night?”

Gypster replied quickly. “I delivered an invitation to the brownies who care for this house.”

My mouth must have fallen open because Gypster looked up at me and seeing my expression, stomped his foot and muttered something under his breath.

I closed my mouth studied the sprite for a moment. He was looking everywhere but at me.

“Are you saying that Amy Hatcher has house brownies?”

“Ah, no. I’m not saying that.”

“Really? Let me rephrase my question.” I chose my words carefully. “Did you say that you delivered an invitation to brownies who are caring for the house that Amy Hatcher lives in?”

Gypster looked up and tipped his head from side to side. Finally, he looked at me with sheepish eyes and said, “Speaking literally I’d say yes. That is what I said.”

“Interesting.” I filed that away. Someone was holding out on me. Either Amy or one of her staff had to not only believe in, but actively nurture a relationship with the fey for house brownies to stick around.

“Who was the invitation from?’ I asked.

“That I am not at liberty to say.” Gypster punctuated his answer by crossing his arms.

I suspected that the invite had come from a member of the Seelie Court that ruled over the light side of the fey community. It didn’t matter at this point so I let it drop. Lola must have become bored so she leapt from the fence post and with a few slow flaps of her wings vanished silently into the night.

“Are you aware of any fey or other immortal who would have a reason to scare or injure Ms. Hatcher?”

This time Gypster thought before he spoke. “I am not aware of anyone of the long-lived, who would have reason to do her harm.”

I nodded at Gypster. that was about all I could expect him to answer that might be of help. I knew better than to thank him as he would take that as a sign that I now owed him a favor. It was never wise to owe a fey for anything.

“You have done your Queen and your people proud today,” I said. “You have fulfilled our agreement. Be well, Gypster.”

The sprite stood up straight and puffed out his chest at my comment. “And you as well, Marshal. May your days be light and lively.”

We nodded to each other and he simply disappeared.

I stood and continued on my way following the fence around Amy’s property. It was nearly midnight when I approached the main compound from the east. The closer I get to the compound the more I felt that natures balance was way off. When I reached the cars my hackles were at attention and my eyes were glued on the barn doors. I reached into my shirt pocket and withdrew the Apache Tear.

The size of a racket ball the stone was my power orb. All wizards used some form of orb to help channel the energies that they utilized. There was a slight glow coming from the center of the stone. As I approached the barn door, the glow became more intense. I held the orb behind my back and opened the door to the barn.

Check out the previous scenes at, Actress and the Warlock Part IPart IIPart IIIPart IV, Part V.

 
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Posted by on March 31, 2013 in Actress and the Warlock

 

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Very Inspired Blog

Cassidy Cornblatt tagged me with this award back in January and I am sorry that it has taken me so long to acknowledge his praise. I’m not sure if this means the blog is inspiring or if the material contained is inspired. Either way, thank you Cassidy. One of the reasons I started to blog was to reach out to help other writers and hopefully be receive help from them. So, this was very nice to receive.

veryinspiringblogaward

As with most awards, there is a catch. Here come the rules:

1. Display the award logo on your blog – Check (look in About/Awards)

2. Link back to the person who nominated you – Check (See first two words of post)

3. State seven things about yourself – Check (See below)

4. Nominate 15 other bloggers for this award and link to them (Really? Hmmm!)

5. Notify those bloggers of the nomination and the award’s requirements – They know how I feel about them because I tell them.

Seven facts:

1. I drink 80 to 120 ounces of water every day..

2. Wearing a necktie is a mortal sin, in my opinion.

3. Kentucky bluegrass is the most common weed in my yard. I prefer planting beds with perennials and ornamental grasses.

4. I believe the Constitution of the United States and Bill of Rights are just fine the way they were written without  a lawyer’s or politician’s “Interpretation”.

5. Raspberry iced tea is my drink of choice on hot days.

6. I’d rather be fishing than doing almost anything else.

7. I recently started to Tweet. Yikes!!!

Nominations:

Please see the Blogs I Read and list of blogs For Writers to the right of this post. These people inspire me daily and they know how I feel about them.

 
6 Comments

Posted by on March 21, 2013 in Other Strangeness

 

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