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Last Station

For several years, I rode a commuter train into Minneapolis for work. I’ve always liked trains. It’s one of my favorite modes of travel. The poem that follows was written as a simple description of my experience. It wasn’t until my writer’s group read it unedited that they told me about the dark undertones of my word choices. Honestly, I did not see it until they pointed it out. It shows that we sometimes get so close to what we write that we lose sight of what is truly coming out through our words. This poem was recently read at the open mic night at the Lakefly Writer’s conference in Oshkosh, Wisconsin.

Last Station

Souls stand on a concrete pond

poured into perfect four-foot squares.

A dual river of steel runs through the pond.

Rumbles echo in the distance.

Out of the mist the steel serpent slithers,

follows the river, seeks the waiting souls.

Spotlight and bells signal in its coming.

Rumbles, closer now.

The serpent screeches as steel crushes steel.

It stops, wanting to feed. Many maws open wide.

The souls rush into the expectant body as it hisses and breathes.

Rumble stills, and the serpent feeds.

Finally sated, the steel serpent shudders.

Sluggishly, almost too full to move, it grinds forward.

Leaving the concrete pond, it rushes toward the horizon.

Rumbles fade in the distance.

 
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Posted by on May 19, 2026 in Poems

 

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Infant Poet

I’ve been writing now for many years. Almost everything has been prose, short story and novel-length fiction, or non-fiction mixed about 75/25. During the past six months, members of my writing group have suggested that I try my hand at poetry and flash fiction. My background in poetry is less than non-existent. Prior to this year, my most recent poetic attempt was in eighth grade, Ms. Hargrave’s class. A flaming disaster!! So, I started working on some flash pieces. Writing stories with less than 2,000 words is a challenge at best. Every word must perform multiple duties. Dialogue must be TIGHT. The character(s) must be clear and interesting from the first word. Settings must blend easily with the action.

My first attempts were somewhat successful, but it was a struggle to cut the word count and maintain a compelling story. My writing suffered from wordy and compound sentences, setting info dumps, and extraneous dialogue. A friend pushed harder for me to try poetry. After a lot of soul searching and research to brush up on exactly what poetry is, I sat down and cranked out two pieces. At first, my embarrassment kept me from sharing them with my group. I thought they were cheesy, and one of them might trigger some sensitive people. But I submitted them for critique anyway. Surprisingly to me, the feedback was mostly positive. After a bit of editing, I read both poems at an open mic night during the Lakefly Writer’s Conference. Again, the response was positive. Enough so that I will be working on additional pieces in the future.

What writing poetry taught me was that every single word in a poem must perform two or more functions. In addition, my other writing (especially first drafts) has become tighter. Word choice has become an interesting game, forcing me to improve my vocabulary. I no longer dread the idea of writing a poem. It remains an option and a useful tool for this infant poet. Over the next few weeks, I will share a few of my recent works.

 
 

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Old Ones

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Near strangers.

Characters from dusty memories telling tales of great wars and a great depression.

Bent and gnarled they spew forth wit and wisdom, hard-earned, during hard times.

Horse-drawn plows and wood-fired stoves, hand-written letters, and bath water carried in from the pump house.

An ax turning a log into a pile of kindling as if by magic.

Epic poems, memorized in youth, recited back verbatim, proving the mind is sharp.

Gone too soon, before we realize the treasure they are.

Missed.

Memories cherished.

 
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Posted by on July 20, 2015 in Other Strangeness

 

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